Author, buddy, and horror enthusiast Edward M. Erdelac starts us
off today with our reader top ten greatest horror films, circa 1960 – 2000.
His number one choice is just outside that range (1957), but I
think it’s close enough for jazz, especially considering the quality of the
film.
Ed writes:
“1. Night Of The Demon (AKA Curse Of The Demon)– I’m a big fan
of occult horror, and this ticking clock ale of skepticism and faith clashing
within a paranormal de-bunker when the leader of a witch cult marks him for
death at the hands of a demon is my all-time favorite horror movie. The
producers insisted on showing the demon and keboshing the ambiguity, but it’s
still a great movie and I love the mechanics of the hex and how it can be
passed on to another.
2. Dawn Of The Dead – As the greatest zombie movie ever made it
already stands alone, but add the subtext attack on mindless consumerism and
it’s in a class by itself. The scenario of being trapped in a mall at the end
of the world and being able to indulge in guiltless, gory killing, is still
unsurpassed in terms of dark, apocalyptic fantasy.
3. The Haunting (1963) – A brilliantly executed haunted house
story, where the audience is put into the unbalanced mind of a young woman
assailed by insidious forces that perhaps, only she can perceive.
4. Near Dark – My favorite vampire movie ever, which famously never shows a
fang and never uses the word vampire. This is southwestern/shit-kicker gothic,
with vampires as they should be – vaguely charming outcast monsters living on
the fringe of society behind cheap hotel windows spray painted black
and duct taped over. Bill Paxton plays his vicious part with bombast
and relish, and Lance Henriksen as the lead vampire is a standout, as is the
infamous blood soaked bar scene and the motel shootout, where bullets don’t
hurt but the lances of smoky daylight streaking through the bullet-holes do.
5. The Shining – One of the few movies that surpass their
source material. A bona fide classic from a grandmaster of film language, not
just a great ghost movie, but an essential addition to the collective
consciousness. The scenes with the kid rolling down the cavernous halls of the
hotel on his big wheel only to be confronted by two ominous phantom girls is
still harrowing.
6. The Devil Rides Out – Another great ritual horror movie from Hammer
Studios, adapting one of the supernatural James Bond-like Duke de Richeleau
novels by Dennis Wheatley, in which the enigmatic, gentlemanly Duke and his
chums lock cornutos with Moccata, the leader of a cult that summons up goat-men
in the woods and send creeping horrors after their persecutors in the
night. The scene in which Christopher Lee forts up with his fellows
in a mystic circle and they are assailed by various supernatural apparitions
including death-on-a-horse-itself is worth it alone.
7. The Lair Of The White Worm – I love odd monsters with strange mechanics,
like how silver hurts werewolves and vampires can’t cross water. This
odd movie based on a story by Bram Stoker applies a whole wealth of strange
bodyguards against a race of ancient snake worshippers that I just find
fascinating. Amanda Donohoe’s performance as the serpentine Lady
Sylvia Marsh is as close as I think I can come to understanding the sensuality
Bela Lugosi is said to have brought to Dracula. It's also ridiculously
subversive and funny.
8. The Texas Chainsaw Massacre – I’m not generally a fan of slasher movies, but
the technique of TCM is so worthwhile it can’t be dismissed. That end dinner
scene and pursuit with its extreme close-ups of bugging, screwing eyeballs
filled with terror and its long shots of Leatherface chasing the girl from the
house is so unsettling. There’s also a truly hilarious undercurrent throughout
it. I love the interaction between the doomed teens and the maniac hitchhiker
in the back of the van as that ridiculously incongruous song ‘Sidewalk CafĂ©’
plays.
9. Rosemary’s Baby – The ultimate conspiracy movie with a great
occult twist, it just nudges out The Omen for me in terms of 'demonic
child' movies. It's the ultimate achievement of American original and storied
horror producer William Castle’s career.
10. The Exorcist – Still, for my money, the most terrifying movie ever made. The
first image I ever saw from it is still the most chilling for me. My
dad was watching his in an unlit living room and I wandered in just as Regan’s
head cracked around on her neck, leering with that repulsive expression. I
looked over at my dad, he looked at me, and raised his eyebrows and grinned,
his face illuminated by the set. I ran screaming from the room and dove under
the kitchen table. If it’s so great why is it number 10? Because my
inner child still shrieks every few years when I summon up the guts to watch it
again.
Ed, you’ve given us
another great list. Like you, I am
completely taken with Curse of the Demon. What a terrific
and unsettling, cerebral horror film. I
think the appearance of the demon still works, and some of the special-effects
surrounding it still look remarkable to this day. Your other selections are just as
unimpeachable.
The Haunting (1963) is also one of my favorites, and I also love Near
Dark and The Shining.
Great list!
Never has a horror film used sound more effectively than in The Haunting.
ReplyDeleteI agree! It was so gratifying to show this movie to my wife and (then) teenage son years ago and watch them nearly jump off the couch when Dr. Markway's wife makes an unexpected appearance. That scene in the bedroom with the various murmurs and unexplainable sounds is unmatched.
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