Cult-TV Blogging: Firefly: "Shindig" (November 1, 2002)

There's a quirky little joke in the introductory scene of "Shindig," a highly-entertaining episode of Joss Whedon's late, lamented space opera, Firefly (2002).

We open in a seedy bar on some back-water planet, and the unsteady, hand-held camera prowls across the room to Captain Mal Reynolds (Nathan Fillion) and his muscle, Jayne (Adam Baldwin) as they play a friendly game of pool with some rough-looking customers.

Lo and behold, the pool balls suddenly blink out of existence during a power fluctuation before just as quickly re-materializing. The customers let out a collective whine of dissatisfaction until the camera draws our attention to a sign on the wall that reads:

"Management Not Responsible for Ball Failure."

Make no mistake: the words "Ball Failure" possess a double meaning in "Shindig," an episode penned by Jane Espenson and aired on Fox TV on November 1, 2002. For the episode really concerns the cocksure attitude of Captain Reynolds and his sense of, well, testicular fortitude as he risks his life in a "duel to the death" over the honor of Inara (Morena Baccarin), a companion and the apple of Mal's eye.

No Ball Failure here, thank you, ma'am. Brain failure, perhaps. But not Ball Failure.

"Shindig" occurs mostly on the planet Persephone, as Captain Reynolds attempts to drum-up work from a "psychotic low-life" business associate named Badger (Mark Shephard), a character we met in the pilot.

Meanwhile, Inara has arranged to meet with a high class (and totally insufferable...) client named Atherton Wing for a high-profile dance, the planet's "social event of the season."

By an odd set of circumstances, Mal ends up attending the dance too, with Kaylee. He's there in an effort to talk up a prospective customer (Larry Drake), a man who may be looking to move some property off-world.

Intensely jealous of the wealthy, handsome Wing, Mal ends up decking Inara's date before the night is over. As Kaylee says "Up until the punching, it was a real nice party..."

Of course, Mal's headstrong and violent action --  according to the customs and laws of Persephone -- spur a challenge.  Atherton Wing, an expert swordsman, will duel him. Mal, typically klutzy with a sword, is outmatched and outclassed. And at sunrise, he could be a dead man...

In the course of "Shindig," Mal tells Inara that he is uncomfortable in her "high-class" world, but she responds --cleverly -- that Mal always breaks the rules, no matter what society he happens to be interfacing with. This is a keen insight into the character, and reminds me of the joke Woody Allen made in Annie Hall (1977).  Mal, like Woody, wouldn’t be part of any club that would have him as a member.

In less comedic terms, Mal is a man who stomachs no authority but his own, and who is so impulsive when challenged (or even when he perceives a challenge...) that he becomes, well, self-destructive. That insight is also the very advice, perhaps, that allows for Mal's ultimate victory. With Atherton, Mal doesn't play by the rules, and he's most certainly not a gentleman.

Mal escapes by the skin of his teeth in "Shindig" but it's intriguing that the very quality that makes Mal a great man (his reliance on his instincts and thinking outside of society’s norms...) also repeatedly endangers him and vexes the woman who obviously loves him.

The Mal/Inara relationship dominates "Shindig," and rightly-so, since Espenson's story examines the stubbornness and class roles of both characters.

But the rest of Serenity's crew gets some good moments in the episode too. Kaylee holds court at the dance after some mean girls rudely insult her. And Wash and Zoe share an intimate bedroom scene aboard Serenity that on first blush is funny and intimate, but given the events of the Firefly movie now resonate in an entirely different (and tragic...) fashion.

Once more, I want to call attention to the camera-work in Firefly, and especially in "Shindig." For the most part, the camera-work here is hand-held and immediacy-provoking (the real antecedent of the re-imagined BattlestarGalactica in terms of visualization and style), but when the episode settles down in high-society on Persephone, the camera-work adjusts, abruptly and suddenly turning formal.

So we go from empathy-encouraging, almost casual close-shots (beforehand) to majestic long shots in short-order. There's a fair amount of spinning and tipping too, as if the camera itself has joined the dance. This shift in technique helps the audience visually comprehend the spirit and atmosphere of this high falutin' world.

Firefly always featured droll dialogue, and "Shindig" is certainly no exception, offering some whip-smart banter between Mal and Inara. The episode also shows off Mal at his rogue-ish best (or worst, depending on perspective...) and even finds time to serve as a variation on the oft-used "Arena" genre convention: the hero's duel to the death with a superior opponent. 

Not a Gorn this time, but a guy -- Atherton Wing -- who is clearly reptilian, anyway.

Next Week: “Safe”