They grow old, they grow apart, and they move on with their lives. Chekov changed jobs for The Motion Picture (1979), took a posting on Reliant in The Wrath of Khan (1982), and Sulu assumed command of the Excelsior in The Undiscovered Country, for example. The universe didn’t remain static, like a TV show...which hopes never to end.
The film’s opening wedding scene -- while generally horrendous in terms of dialogue, tone, editing and overall execution -- reminds us that we have known these characters for fifteen years, and that the times are indeed changing. Riker and Troi are finally getting married, and Riker is headed off to command the Titan…after a decade-and-a-half serving in Picard's shadow. Data is moving up to the role of first officer. Worf is just visiting (conveniently, again…).
Certainly, by the 24th century, cars would be out-of-fashion, and wheels wouldn’t be employed when a hover-craft would so, so this vehicle looks and feels terribly out-of-place in terms of the franchise continuity and history.
The result is that the Argo sticks out like a sore thumb.
Disregarding the Prime Directive entirely, Picard, Data and Worf utilize their advanced phaser technology to fight back, and also deploy their advanced shuttle craft. The scene evokes the Road Warrior (1982) in a kind of bad way, but primarily raises so many questions. Why does Picard ignore the Prime Directive? Why are the inhabitants hostile to our heroes? If Data can scan for positronic life signs, why can’t he also scan for the aliens ahead of time, and avoid contact with them? Why can't the Enterprise just beam everyone (and all the tech...) up quickly, and minimize the cultural interference?
If Shinzon had wanted to bring the Enterprise and Picard to Romulus for peace negotiations, he would have had to merely request Picard and his ship. He is now a recognized Head of State, after all. He can pretty much negotiate with anyone he chooses. Instead, the excuse seems to be that Picard was in the area (Kolarus III), and thus the closest ship available for peace talks. It’s all terribly trite and poorly-written, and worse, unnecessarily trite and poorly-written.
It is set on 24th century Romulus, but doesn't make even a passing comment about Amabassador Spock and his unification movement, which we remember from the series.
In 1982, fans had to wait for two whole years for Spock’s return in The Search for Spock. There was no instant gratification at all in that case. By the end of Nemesis, B4 is already whistling Irving Berlin tunes, and there is no doubt that Data lives. This short-period of mourning manages to take away from Data’s noble sacrifice. We have a replacement right here, for the beloved crew member who died...
This is a strong idea, and one that augments the relationships between the crew. Yet the idea fails somewhat because the film’s form doesn’t reflect the narrative's conclusions about the brothers and sisters "you chose." Nemesis focuses on Picard and Data to the exclusion of almost all other characters. Though Troi gets a larger role than usual here, Riker, Worf, Crusher, and La Forge all feel like after-thoughts. A chubby, Shatner-esque Riker battling the Viceroy mano-e-mano is hardly a substitute for meaningful time spent with the character.
Today, the Next Generation crew is arguably just as beloved as the original crew, and it deserves a proper send-off too. Nemesis just isn’t that movie.