My new article at Anorak is now up. It gazes at the Exorcist (1973) craze of the mid-1970s, and five films that exploited it to strong effect.
Here's a snippet:
WILLIAM Friedkin’s The Exorcist —
based on the best-selling novel by William Peter Blatty — quickly became one of
the first genre blockbusters of the seventies, and a generational touchstone to
boot.
The Exorcist also represented a
new brand of horror film, in a sense, because it lacked a familiar “monster”
like Dracula, the Wolf Man or The Frankenstein Monster, and it didn’t depend on
well-known genre personalities, like Vincent Price, Christopher Lee, or Peter
Cushing, either.
Accordingly, lines stretched around the block for showings of the
horror film on the East and West coasts in America, and everyone seemed to have
a very strong opinion about the controversial film, pro or con.
The Reverend Billy Graham, for instance reported that traumatized Exorcist viewers
were experiencing “nightmares and problems they never had before.”
Graham’s publicly-expressed fear was that there would be even more
psychological damage to Americans if people continued to “flock to the box
office” to see The Exorcist.
But while such self-appointed protectors of morality wrung their
hands over Friedkin’s masterpiece and its public acceptance, Hollywood
filmmakers realized that a large audience was now primed for much more of The
Exorcist’s brand of terror.
Specifically, this brand of horror consisted of “normal” Americans
unexpectedly encountering the supernatural and/or paranormal, and in the
process facing questions of the after-life, and the existence of God…or the
Devil.
In the span of a few short years, movie audiences were treated to Exorcist imitations
such as Abby (1974), Beyond the Door (1975), The
Devil’s Rain (1975), Race with the Devil(1975), The
Reincarnation of Peter Proud (1975), The Haunting of
Julia (1976), Ruby(1977), and The
Legacy (1979).
Below is a list of five of the best such Exorcist knock-offs,
in chronological order. These inventive, well-made films — while no doubt
inspired by The Exorcist — also expertly established
their own unique and terrifying artistic identities...
John, strong choices. I still remember seeing Race with the Devil (1975), as a boy, in the late '70s. It was hard to forget because it felt like a John Carpenter film.
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