In
“The Crystal,” the fifth episode of the 1991 Land of the Lost remake,
Shung and his Sleestak cohorts manage to lose his prized crystal sword (seen
for the first time in “Shung the Terrible.”)
The
weapon unexpectedly comes into Annie Porter’s possession, and she decides to use
it to get back at Kevin for his bad treatment of her. Unfortunately, every time Annie uses the alien
crystal, she seems to lose a bit more of her humanity, becoming more and more
unforgiving, and more and more cruel to boot.
Mr.
Porter, Kevin and Shung himself attempt to get the dark crystal out of Annie’s
possession, but she becomes fiercely protective of it. Finally, Mr. Porter convinces her that the
crystal is “evil” and “wrong,” and that she will end up like Shung if she
continues to use it. Annie willingly
gives it up, ashamed of her behavior…
Driven
by a strong moral and thematic through-line, “The Crystal” is another decent
(if not inspired) episode of Land of the Lost (1991 – 1992). In some sense, the episode is a thinly-veiled
remake of an original series episode called “Scarab,” which saw Chaka (Philip
Paley) bitten by a golden insect, and transformed into a hostile, deceitful
creature. Shung’s crystal here has
roughly the same effect on Annie, and it’s up to her loving family (which
includes Stink and Tasha) to bring her back into the fold.
Visually,
“The Crystal” is a strong episode, and possession of the sword begins to
transform cute little Annie into something not-so-cute. She stops wearing her glasses, and we see
dark circles under her eyes. Her hair grows more wild, and her acts of evil
seem to become easier and easier for the youngster to parse. Annie’s mental degeneration is matched, then,
by her physical one.
I
also like the implications inherent in “The Crystal.” If Shung has been in possession of this
weapon for a long time, has it totally devoured his soul too? Is he such a rotten bastard because he owns
this crystal weapon? If he were
separated it from any length of time, would he become more humane?
Certainly, that’s one possible reading of the
context of this episode. And “The
Crystal’s” end -- in which sword knowingly seeks out Shung again—absolutely suggests
that the Sleestak is not in control.
Rather, the crystal dominates his actions.
I
know I complained a lot about Shung and the Sleestak a couple weeks back when I
reviewed “Shung the Terrible,” but I can’t object to their use here. They support the story-line ably, and the
notion of Shung as victim of the crystal actually deepens a character that I
assumed to be one-dimensional. At least
the 1990s Land of the Lost seems to be deploying the Sleestak sparingly,
rather than making them the center of attention. So far…
As
my friend and regular reader SGB pointed out a few weeks ago, Land
of the Lost is indeed made for children, and in some ways, the 1991
variation on the franchise is much more childish than the 1970s version. “The
Crystal” is a highly-didactic show that sends a good message to kids about the
allure of evil, and the dangers to oneself from that allure.
In
other words, “The Crystal” lives up to the best tradition of the original Sid
and Marty Krofft Land of the Lost. It doesn’t talk down to kids.
Next
week: “Wild Thing.”
John excellent insight into "The Crystal" episode. It does indeed belong to the original 1974 series. They got it right. As you stated, I believe this 1991 series is aimed at younger viewers than the 1974 series that we watched at children. However, "The Crystal" episode is definitely aimed at all children with a good message. The new Sleestak are not threatening at all to older children, just very young children. The original Sleestak are scary in physical appearance and sound to all.
ReplyDeleteSGB