In
“Day for Knight,” a portal opens in the land of the lost and deposits a young
knight in the middle of a battle between the Porter children and Shung’s
Sleestak underlings. Balin saves Christa’s
(Shannon Day) life, which makes Kevin (Robert Gavin) feel both jealous and inadequate.
Meanwhile,
Shung (Tom Allard) determines that he must possess Balin’s sword, or “magic blade.”
Balin,
who considers himself a “dragon slayer,” soon reveals the truth to Kevin. He’s but a lowly squire who appropriated his
knight’s armor for a night, when he went through the portal. He is not any braver than Kevin, and in a battle with Scarface, Kevin proves his mettle.
When
the portal re-opens, Balin returns home…
“Day
for Knight” opens with Kevin’s "dream" fantasy of rescuing comely Christa from
Scarface, using ridiculous martial arts moves.
The dream is embarrassing enough, but then Kevin wakes up to find Tasha
lovingly licking his face. It’s an…icky
way to open the episode, for sure.
After
that opening, “Day for Knight” settles into a story that should feel familiar
to all fans of the original Land of the Lost (1974 – 1977).
In that series, many episodes featured a
visitor from another time period becoming stranded in the pocket universe for
the duration of the episode, and then departing before the end credits. In the original series, Native Americans,
Union Soldiers, hot air balloonists, military pilots, and even sailors (The
Flying Dutchman) found their way into the land before escaping to greener pastures. In the 1990s Land of the Lost, the
first human visitor is Balin, a young knight.
At episode’s end, the portal just miraculously opens beside him and he
is able to return home, thus leaving the Porters behind.
Why
can’t something like that happen to the Porters, one wonders?
This is the first time since the series began
that a portal has opened up, and Kevin can’t go through it because he’d be trapped in
the wrong time, but also because he’d be leaving his family behind. Still, it would be nice if there was some
kind of rhyme or reason to the appearance (and re-appearance) of the portals in
this version of the mythology. In the original series,
portals often opened as a result of fiddling with Matrix tables in pylons, but
here it seems totally random, and Balin is one lucky guy, for sure. Getting to the right portal at the right time must be one in a million...
Of
course, there’s no guarantee that this is his portal either. Maybe Balin arrives on the other side of the portal in the
Porter’s era…
As was the case in previous stories, this episode features the Sleestak as the buffoons/comic-menace of the
week. For some reason, Shung becomes
obsessed with getting possession of the knight’s sword, which is a pretty weak
motivation for his involvement in the drama. Shung already has a crystal blade with mystical powers beyond human
comprehension. Why does he need a steel
blade from the Middle Ages?
“Day
for Knight” isn’t the worst episode so far, to be certain, but it isn’t exactly
tightly-constructed, either.
The portals
work arbitrarily (obligingly depositing and taking away the guest star while
leaving the main cast stranded permanently), the Sleestaks are as ineffective
as usual, and Kevin’s fantasy about Christa is cringe-inducing. What this episode does establish is that, in
some sense, Land of the Lost is attempting to update the original source
material while telling the same brand of story.
Next
Week: “Kevin vs. the Volcano.”
John nice review of “Day for Knight”. I liked this episode because it was like the original 1974 series with an interesting visitor into the pocket universe Altrusia. Kevin is definitely no Will Marshall. The Sleestak in 1991 are a parody of the 1974 and 2009 film Sleestak.
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