The TARDIS intercepts a Time Lord “communication
cube” (first seen in “The War Games”), and the Doctor (Matt Smith) is jubilant
because it means another survivor of his race could be alive out there somewhere.
With Amy (Karen Gillan) and Rory (Arthur
Darvill) in tow, The Doctor follows the cube’s trail outside the universe
itself, to a pocket universe.
There, unfortunately, a trap awaits them
all.
A dark force that consumes TARDISes has
been luring Time Lords to a junkyard planet for generations. The same dark force assumes control of the Doctor’s
TARDIS, but deposits the ship’s soul (or consciousness) inside a humanoid
woman, Idris.
Then, the beast strands the Doctor on the
planet, and heads back into the proper universe…to wreak havoc.
Now, the Doctor must team with Idris
(Suranne Jones) -- the very soul of the TARDIS -- to build a “junk” TARDIS,
escape from the pocket universe, and rescue Amy and Rory from the sinister and
sadistic alien intelligence now controlling their every breath…
With
over two-hundred stories already in its roster, Doctor Who continues to surprise and
delight with the remarkable, emotionally-affecting, and unexpected “The Doctor’s Wife.” Here, in the modern days of Matt Smith’s Era,
the series turns every standing franchise precept upside-down and provides an entirely fresh
perspective on the Whoniverse.
The
tale’s premise, in brief, is that the TARDIS Matrix gets put inside a human
body and can suddenly tell the Doctor’s story from its own unique perspective.
The
TARDIS stole the Doctor, not vice-versa, for example.
And she doesn’t like the
strays (the companions…) the Doctor brings home, except perhaps for the pretty
one…Rory.
The
greatest revelation of all, however, is that the TARDIS never takes the Doctor
where he wants to go. She takes him where he needs to go (hence the title, “The Doctor’s
Wife,” no doubt).
This one throwaway comment puts the
entirety of the Doctor’s history in a new and illuminating perspective The Doctor needed to go to Skaro and that creepy petrified forest and dead city in the original “The Daleks,” in other words. It wasn’t some mistake of fate…it was the knowing, guiding hand of the TARDIS.
Given
this revelation, I would be fascinated to learn how the TARDIS feels about the Doctor’s
span in the Time War, as the War Doctor.
How would the Doctor’s wife parse that service, I wonder? Did the TARDIS also serve the cause?
"The Doctor's Wife" is also heart-breaking because the Doctor finally meets his match -- in
terms of intellect, intelligence, stubbornness, and knowledge of the universe at
large -- and then realizes he can’t be with Idris. She
must return to the TARDIS's "body," and, once more, the Doctor is alone.
After
the Doctor himself, the TARDIS may be the most beloved “figure” in all of
Doctor Who history, and to feature an episode that explains the universe -- and
the Doctor’s own history -- from the ship’s perspective is nothing less than a brilliant conceit. But to further parse the
TARDIS as the Doctor’s wife -- his true north, whether he knows it or not -- is
even more audacious.
But what
I truly love about this story is that it fits in beautifully with the Matt Smith Era's overriding
theme: renewal of spirit.
The Doctor is very old
now -- perhaps senile, even -- and yet in the era of the Eleventh Doctor, he is constantly learning
something new about himself and the universe.
He hasn’t seen it
all.
He is no longer quite so
world-weary.
The universe still has the
capacity to surprise him (and in turn, surprise us).
What the Doctor really knows now is that he knows almost nothing at all.
The TARDIS isn’t just a machine (even an
intelligent machine…), it’s his wife, and so forth.
The old dog -- and, yes, the Eleventh Doctor often
acknowledges his age -- can still learn new tricks (like how to be a husband), and still be changed
(positively) during his travels. I love
that concept, and I love that it has been applied to Doctor Who. Smith's exuberant, manic, mile-a-minute approach to the character represents a consistent tour-de-force. Like Patrick Troughton, he is a brilliant physical comedian, but also an actor who can handle the dramatic scenes with unrelenting, heart-breaking honesty.
I
was not expecting to like Matt Smith as The Doctor. But I have been won over.
Indeed, I have friends that are long
time Doctor Who fans who actually refuse to watch the series because of his
casting in the role.
Well, it’s their
loss.
And what a loss.
Matt Smith demonstrates beautifully the
principle exemplified by William Hartnell: that the Doctor is an an individual -- and an alien -- of incomprehensible contradictions. If Hartnell is the young
one, with the physicality of an old man, then Matt Smith is the book-end
Doctor: the old soul in the young body. And the actor pulls off this conceit so beautifully. He makes it look easy, but it must be exhausting.
I
realize it is a controversial thing to say, but Doctor Who has never
been better -- never more magical or more
heartfelt -- than it has been during the span of this Eleventh Doctor
(especially during the Amy Pond, Rory era..)
Something new and remarkable has been added to this old show's creative mix: a sense of wonder. Yes, that sense of was
implied in the old stories, but the production design could never fully or adequately depict it.
Here, we have the perfect blend
of magical worlds -- well-visualized -- with a magical character.
The
Doctor is not supposed to be magical, you say?
Well,
the Doctor has been a cranky old man on the run, a Loki-like force of disorder, a physically-athletic “Venusian karate” expert, a
master chess-man, a war veteran, and an emotionally-isolated sensitive. He has been seen as senile, arrogant,
cunning, deceitful, and sad.
Why can’t
he be a vehicle for wonder too?
The up-shot of this approach is that Doctor Who has never been more
unpredictable, more accomplished, or better-realized than it is right now, on
the Eve of the Fiftieth Anniversary. That's something to celebrate, not nitpick.
I'll go further, since this is the last post of my Doctor Who Week: Matt’s
Smith Era is also the Golden Age of Doctor Who.
So happy birthday, Doctor, you've earned the celebration of a lifetime...or eleven.
I don't like the term "instant classic," but I make an exception in this case. Gaiman knocked it out of the ball park here.
ReplyDeleteI'm an old-school Who fan (my first -- and sentimental favorite -- Doctor was Tom Baker) who has generally been delighted with how the reboot has updated the series while remaining true to is roots, but I just haven't been able to warm up to the Matt Smith era. Nothing against the actor, who I agree does a fine job with the material, but I've been put off by the frenetic pacing and tone of the series during his run. It seems like there's just too much running about and shouting, even for a series that at times seems to consist primarily of running about and shouting.
ReplyDeleteHowever, your interpretation of Smith's Doctor being immensely old (and possibly senile), and his era being about wonder, makes me think I need to give the Smith shows another try.
As always, thanks for providing such great food for thought...
"Matt’s Smith Era is also the Golden Age of Doctor Who."
ReplyDeleteHear bloody hear!!!