“For millions of years, Earth was fertile and
rich. Then pollution and waste began to take their toll. Civilization fell into
ruin. This is the world of the 25th Century. Only a handful of scientists
remain, men who have vowed to re-build what has been destroyed. This is their
achievement: Ark II, a mobile storehouse of scientific knowledge manned by a
highly trained crew of young people. Their mission: to bring the hope of a new
future to mankind.”
-
Voice-over narration for Ark II
(1976)
With Jason of Star Command’s second season behind us, I’ve decided to feature
the one-season, post-apocalyptic Filmation series Ark II as the subject of our next Saturday morning
cult-tv series retrospective. I actually
started blogging the series once before, way back in December of 2006, but
stopped after a few episodes. Rather
than resume where I left off, I’ve decided to simply begin again on the
assumption that I’m a better writer now, and have more worthwhile observations
to offer. I hope I’m correct.
Ark II aired on Saturday mornings beginning
September 11, 1976 and ran for fifteen 22-minute episodes. Like many science
fiction TV efforts of the time, it was rather determinedly a “civilization of the week” program; meaning that each
week, the diverse protagonists traveled (usually by a ground vehicle; sometimes
on foot…) to a new and strange civilization.
Basically, it was Star Trek all
over again, only without the U.S.S. Enterprise and outer space as useful
backdrops. With some variation, the
format was seen in The Starlost (1973), Planet of the Apes (1974), Logan’s Run (1977) The Fantastic Journey (1977) and in the 1980s program Otherworld, to name a few examples. Star
Trek creator Gene Roddenberry himself had attempted to take the civilization
of the week formula to new heights with Genesis II and Planet Earth,
two made-for-tv movie/backdoor series pilots from the early 1970s.
Although airing during America’s optimistic bicentennial year, Ark II was set in the new Dark Ages of 25th
century, and focused on a large, impressive, high-tech tank-like vehicle, the
Ark II, which traversed the wasteland in order to aid the survivors of an
environmental disaster. In a hold-over from the popular youth movement of the
late 1960s and early 1970s, Ark II’s crew is described in each
week’s opening narration as a “highly
trained crew of young people.”
Specifically, the crew of Ark
II consisted of the
bearded Captain Jonah (Terry Lester), scientist Ruth (Jean Marie Hon), and
young scholar Samuel (Jose Flores). In a
weird, unpsoken acknowledgment of Planet of the Apes’ continuing
popularity, these young humans also traveled with a talking chimpanzee named Adam
who could play chess and drive the Ark in a pinch.
You may have noticed that all the crew names listed above arise
from Judaism, and thus carry resonances beyond the obvious. In the Hebrew Bible, Jonah was a “truth
seeker,” which is a term you might use for the stalwart captain of Ark II. Ruth was the name for a “companion,” in the
same text, and Samuel was a man on the cusp of two eras, the last Hebrew judge
and the first prophet. Similarly, on Ark
II, the young Samuel is a child of the Dark Age who will also live in
the period of the New Enlightenment, or recovery. As for the ape, he is named
for Adam, the first human male.
The name “ark,” of course, calls up imagery of Noah’s Ark, the
craft that repopulated the Earth after a disaster, the Great Flood.
The first episode of Ark II is
entitled “The Flies.” Written by Martin Roth and directed by Ted Post, it finds
Captain Jonah recording his log entry numbered 1444. The Ark is patrolling
Sector 83, Area 12, investigating a gang called “The Flies” that is responsible for “serious infringements on the rights of the others.”
The assignment: bring “discipline” and “reason” into their lives. The name “The Flies” conjures images of
William Golding’s novel Lord of the Flies (1954), which also
concerned a society of children.
Unfortunately for Jonah, the Flies – an interracial gang of youngsters
– are entirely loyal to their leader, a rapscallion named Fagan and a
scoundrel played by the one-and-only Jonathan Harris, Lost in Space’s Dr. Smith.
Fagan is named after Charles Dickens’ famous Oliver Twist character Fagin,
a “receiver of stolen goods” and man
who encourages a life of crime in children, turning them into thieves. In Ark
II’s “The Flies,” Fagin and his group of thieves discover ancient poison
gas canisters, ones that are still functional.
After capturing Jonah, Fagan takes the poison gas cylinders (and
a gas mask to protect himself), and heads to the HQ of a local warlord Brack
(Malachi Throne), who lives in the “the Village of the Lords,”
actually the Ape City set from the live-action Planet of the Apes TV series and films. Fagan believes he
has found “the ultimate weapon,” and attempts to wrest control of
the warlords from Brack. Brack beats Fagan at his own game, however, and
captures the Flies, forcing Fagan to forfeit his leadership
Ruth, Samuel and Adam save Jonah and free Fagon and the Flies from
warlord subjugation. They also retrieve
and dismantle all the dangerous gas canisters without ever resorting to
violence. Instead, they neutralize the gas and change it into nitrous oxide
(laughing gas).
Finally, the episode ends with a moral statement from Jonah: “weapons man creates to use against others can easily be turned
against himself.”
Although the series I nearly forty years old the look and
production design of Ark II remains admirable. The main cast, for instance, wears
skin-tight and attractive space-age uniforms with computerized belts and cuffs
(replete with wrist communicators). One can see how this design influenced
later Star Trek outings,
including The Motion Picture (1979).
Also the exterior, post-apocalyptic set design is kind of interesting: a
mix of the Old West, Vikings, and the aforementioned Planet of the Apes.
Interestingly, Ark II presages the barbarity and chaos of The Road Warrior (1981) on a TV budget and within TV
restrictions.
The Ark II itself, built by the Brubaker Group, remains a
remarkable piece of hardware, a life-size, operational vehicle. It looks
thoroughly convincing….especially in motion. In the series, this high tech truck
is equipped with a protective force field.
The Ark II also billets a smaller exploratory vehicle, the fast-moving
roamer.
I find it fascinating that Ted Post directed this premiere
episode of Ark II. A veteran director of
The
Twilight Zone and Boris Karloff’s Thriller, his movie career had taken
off in the early 1970s with Beneath the Planet of the Apes
(1970) and the Dirty Harry sequel, Magnum Force (1973). Given this impressive CV, it’s odd that, by
1976, Post was helming Saturday morning television. He does a good job handling the actors and
action in “The Flies,” and of introducing all of the various tech, from the Ark
itself, to the roamer, to Jonah’s rocket pack (which looks identical to one
used on Lost in Space years earlier.)
Next week on Ark II: “The Slaves.”
A real childhood favorite. Can't wait to read more.
ReplyDeleteThanks, David! I'll keep 'em coming. It's a fun show. Combining post-apocalyptic settings and a kids series is either nutty or inspired...
ReplyDeletebest,
John
John your review thoroughly recaptures why ARK II was one of my favorite boyhood memories of waking up on Saturday mornings after a long week of school. I loved the production design of the Ark II, as you stated, it still is futuristic today. Your ARK II episodes reviews on Saturdays will allow us to experience it all over again.
ReplyDeleteSGB
Hi SGB:
DeleteThank you for our kind words about this first blog of Ark II. I'm looking forward to watching the series all the way through as an adult. I remember loving the show as a kid...
best,
John