I have been watching with great interest over the last week or so the ascendant campaign to resurrect Frank Black, the lead character of Chris Carter’s
Millennium (1996 – 1999). The Back to Frank Black Campaign with Fourth Horseman Press will soon be launching a book dedicated to the beloved character,
as reported by TV Wise. And series star Lance Henriksen himself spoke recently at a
convention about his belief that the character will indeed return.
Twentieth
Century Fox should be listening to the emerging groundswell, because this is
the perfect time to produce a Millennium movie or TV-movie. Forget the tiresome and inaccurate argument
that since the millennium actually turned in 1999 – 2000 the series is somehow out-of-date
or past-its-prime. The contrary is actually
true.
Stylistically
and context-wise, Millennium was actually so far ahead of its time, I would argue,
that the world is only now catching up with the concepts Chris Carter, Frank
Spotnitz, and the other writers conceived during the three-year span of the
series.
In
terms of story-telling style or approach, consider just for a moment how often Millennium’s
complex formula has been tossed into a blender, ground down to its component
parts, and then presented in pieces, to great ratings success.
For example, the
CSI
formula of the last decade resuscitates the “forensic investigation”
aspects of the Carter series. Programs
such as Criminal Minds ask audiences to travel inside the twisted minds
of the most monstrous human criminals, just as Frank Black did on a regular
basis. And series such as Medium
focused, to a large extent, on the value of unconventional insight in solving
crimes. Millennium brilliantly
combined all these threads, plus Frank’s home life, plus the symbolism of the “yellow
house.”
Outside
of this style, Millennium obsessed on what I call in my book, Terror
Television “those shadowy,
half-understood fears which affect the human heart and soul.” The monsters in the series, though sometimes originating from religious mythology, were also, often, human in nature. Frank faced these human “monsters from the Id” on a
weekly basis in the 1990s, but many of the aspects of life that vexed him in
the Clinton Era have only grown more pronounced today.
If
the 1990s represented the first significant decade of conspiracies run rampant
(George Bush I’s “New World Order,” or The Clinton Body Count), then in 2012
the conspiracy mentality is, in fact, on steroids. Today, we have Birthers, Truthers, Deathers -- you name it -- and they are all tearing
at the fabric of our shared national reality and identity. Wouldn’t it be nice, once more, to have a man
like Frank navigate this shadowy, mysterious world and separate truth from fiction, fact from
propaganda?
The TV program's fictional Millennium Group was the prime mover of a secret history in the
series, but just because the year 2000 came and went without dramatic incident,
that doesn't mean the conspirators would stop attempting to shape
the future. In fact, one sect of the
Millennium Group, the Owls, believed the apocalypse will occur in 2020…just eight
years distant. Imagine the plans they
must be making, right now, right?
On
a connected note, we need gravelly-voiced, insightful Frank Black to pick up his adventures again because of who we have become since Millennium left the airwaves. We seem more divided in 2012 than we have
been, certainly, in my lifetime.
Political enemies don’t merely have disagreements anymore, they try to destroy one another.
The person with the loudest voice wins the cable TV sweepstakes and facts
become lost in “gotcha” point-scoring. It’s not so much “The Truth is Out There” -- as was the mantra of Carter’s The X-Files -- but “The Truth is
Buried Over There, But Let us Distract You From Finding It.”
The
quality I admired so much about Frank Black, and one abundantly evident in Henriksen’s brilliant,
layered portrayal, was his utter lack of susceptibility to such
bullshit.
Even when provoked, Frank didn't take the bait or grow angry or irrational (unless, of course, his family was actively threatened). Instead, he was reasonable and stable, and that is, perhaps, a strange thing to write about a character who has suffered a nervous breakdown or two (but who’s counting?).
Even when provoked, Frank didn't take the bait or grow angry or irrational (unless, of course, his family was actively threatened). Instead, he was reasonable and stable, and that is, perhaps, a strange thing to write about a character who has suffered a nervous breakdown or two (but who’s counting?).
But
perhaps because Frank had seen and understood madness up-close, he had inoculated himself from it on a daily basis. One of the continuing delights of Millennium,
even today, is how Frank fails to give his competitors or nemeses the satisfaction
of getting a rise out of him.
To
put the matter another way: Frank isn’t worried about how popular he is. He isn’t worried about pleasing the
boss. He doesn’t concern himself with
partisanship or ideology, but instead tries to solve a problem the best he can,
in the most reasonable way he can. Importantly, he isn't selling anything. Now it's not like he's Mr. Spock or Dexter – Frank clearly
possesses strong emotions – but yet he possesses this equanimity;
this sense of wisdom and fairness. He would defend the weak, the voiceless, those assumed guilty.
He is The
Calm. And the rest of the world is The
Storm swirling around him.
Mr.
Henriksen has spoken eloquently about Frank Black in the War on Terror Age, but
I also believe that Frank Black is the perfect hero for America at home, right
now, because he possesses these qualities of stability and reason that often seem missing in action.
In
other words -- perhaps more than ever - we need Frank Black. The Time is past near. It's now.
If you agree with that sentiment, write a letter and support Back to Frank Black's campaign:
Michael Thorn
Senior Vice President for Drama Development
20th Century Fox Television
Twentieth Century Fox Television
10201 West Pico Blvd
Building 103, Room 5286
Los Angeles, CA 90035
If you agree with that sentiment, write a letter and support Back to Frank Black's campaign:
Michael Thorn
Senior Vice President for Drama Development
20th Century Fox Television
Twentieth Century Fox Television
10201 West Pico Blvd
Building 103, Room 5286
Los Angeles, CA 90035
We're all of us with you on this, John.
ReplyDeleteThanks, Le0pard13. I know you're part of the team, and I'm happy for it! We can do this!
DeleteAs The Kids say, word. Speaking of kids, I've even got mine digging the show, though their FB imitations sound more like the killer from Thirteen Years Later, heh. To take that a step further, the X-Files was "my show," we all have one or a handful of those (TNG!), but as I've gotten older, and my kids have grown up, one soon to enter her third decade, Millennium has taken on a fresh resonance.
ReplyDeleteEven if one is older and the kids have moved out, we all still search for our own version of the Yellow House in this world of increasing bullshit. That may sound a bit cornball, but the show was just that prescient, and it's something easily related to.
Randal,
DeleteI love your comment. First, I love that you have passed your love of Millennium onto the next generation, and secondly I concur with you feel that the show has a fresh resonance today.
In a world of "increasing bullshit" as you aptly describe it, we do need Frank and his sense of stability and decency more than ever.
Amen this is who we are
ReplyDeleteAbsolutely, coma darkvale! Let's do this.
ReplyDeletebest,
John
One of the joys of putting the book together has been how Millennium constantly reveals more and more of itself in terms of characterisation, theme, subtext and nuance, the deeper you examine it. We're seeing the book as both a celebration of the series and also something of a manifesto for what made it and Frank Black so unique, and still so relevant today. Of course the book wouldn't be the same without your involvement, John, so here's to that looming release date!
ReplyDeleteThat said, I can always find the time in my schedule to write a few letters.
Hi Adam,
DeleteYes, Millennium is such a multi-faceted work of art, filled with subtext, nuance, symbolism and even -- depending on how you look at it -- competing VALID interpretations. That's why I love it so much as a work of art. It's brilliant in so many ways.
I am eagerly anticipating the book, my friend, and know it will be a triumph. Can't wait to read it...
best,
John
I really hope they bring him back! Millennium has been my favourite TV show since it first aired. I always thought there were a lot of similarities between that show and Criminal Minds. Certain episodes of CM actually seem to be "borrowed" from Millennium...
ReplyDeleteMich,
ReplyDeleteI feel the same way. I feel like you can find resonances of Millennium everywhere on the tube these days. The program was really a pioneer, and all these programs are Millennium's children (legitimate or illegitimate...).
Great comment
best,
John
A powerful statement and more timely than ever. If there was ever a moment in the post-Millennium landscape to see a vital series return in a most organic and natural fashion the time does seem to be now.
ReplyDeleteThat reality will determine if who we are is enough. We're all behind your strong, well-reasoned essay on why we need Frank back in the fold. Best of luck to us all.
Hi SFF:
DeleteYour reasoning is right. It's a natural time to return to Frank's world, and bringing him back will be about "who we are." I believe we can do it, and with people like you, Mich, Adam, Randal, Le0pard13, James and Troy working on it, I know it will happen.
Best of luck to us all is right!
best,
John
John,
ReplyDeleteWhat a fabulous surprise tonight. James and I were on a call talking about EPK for the big wigs at 20th Century FOX when we saw Adam had linked to your article on our Facebook page. We can't thank you enough for your continued support of this campaign. You have been an invaluable resource and friend to us and we truly thank you.
I remember watching the pilot episode back in 1996..after it ended. I remember sitting there, speechless for about 5 minutes trying to digest what I had just seen. Nothing on television at that time even came close to what Millennium was about. So intricate in its story telling, the directing, cinematography and one of the best casts ever. What makes Millennium so great is that it was ahead of its time and you could put it up against anything on television right now and it would do well!
Hi Troy,
DeleteTroy, I know I speak for the whole movement here when I say how much I appreciate what you and James have accomplished to bring this resurrection closer to reality every single day. You guys are great. It's a pleasure to be involved with anything related to Millennium, because -- like you -- I feel that it is an intricate and impressive work of art. The program was provocative then, and remains so today, a testament to the good work done by everyone involved.
I am happy to lend whatever support I can bring back Frank Black, my friend!
best,
John
"What makes Millennium so great is that it was ahead of its time and you could put it up against anything on television right now and it would do well!"
Delete@ Troy: I'd flat out say, in such a circumstance, Millennium exceeds 95% of things out there today on TV/cable.
I don't think I could've said it any better, John. You've wonderfully put into words why Frank Black is one of my favorite TV characters of all time. Watching the series, with all of its monstrous criminals who did absolutely horrific things, I always felt all would be well once Frank Black was on the scene. He had my trust and confidence and deep admiration. To me, he was the beacon of good and hope in the world. He embodies all the qualities of a great hero and there is no better time for his return.
ReplyDeleteHi Aida,
DeleteThank your for your kind words. I agree with you about Frank. He had my trust, confidence and deep admiration as well. I like your formulation: he was the beacon of good and hope in the world.
We need him back!
Great comment!
best,
John
John excellent statement. In the ‘90s, I gravitated towards Chris Carter’s MILLENNIUM exactly because of the character Frank Black(Lance Henriksen) possessing an attitude like the “no name” gunfighters of Clint Eastwood’s Spaghetti Westerns of the ’60s and early ’70s.
ReplyDeleteBring Back Frank Black. He is needed now more than ever.
SGB
Hello, SGB, my friend,
DeleteI love the comparison between Frank Black and the Man with No Name in the spaghetti westerns. It's a comparison that works, as both men have steely glares, and speak only what's important to speak. Great connection...
best,
John