“Tales
of the Undead,” a first season installment of Friday the 13th: The
Series, is likely my favorite episode of the entire series.
In
part, this is so because the episode -- while
being a crackling good horror tale – also speaks a lot of hard truths about
the worlds of comic-books and science fiction fandom. Specifically, those talents who create
characters and stories that millions love aren’t always rewarded financially in
the way they should be, and spend their final years in poverty and desperation. It’s a sad fact of life.
In
“Tales of the Undead,” a determined comic-book fan who loves the classic
character “Ferrus the Invincible”
(think Rom: The Space-knight), steals the ultra-rare first issue of the
comic-book, which would sell at auction for twenty-five thousand dollars. During this act of theft, the young man grabs
the comic-book issue and suddenly transforms into Ferrus, a malevolent,
indestructible robot. In that form, he
kills the comic-book store owner, a kind of live-action version of The
Simpsons character, though this character probably precedes him by a
year or so.
Ryan
witnesses the violent act and traces the cursed comic-book back to Ferrus’s
creator, Jay Star (Ray Walston), who has fallen on hard times and has become a
bitter recluse since he first created the character in 1947.
After
the character Ferrus built the empire of Peerless Comics, Jay was shoved aside
by corporate politics and his beloved creation was taken away from him. When Star learns that the cursed comic-book
can turn anyone who holds it into the indestructible Ferrus, he realizes he
must possess it, himself. This is
especially so because he is succumbing to arthritis and a heart condition, and
can no longer afford medication. By
becoming his own indestructible creation, he gets a second chance at life.
Micki
(Robey) and Ryan (John D. Le May) attempt to retrieve the cursed comic-book
issue, but realize that they must find a rare, legendary (unpublished)
manuscript featuring the death of Ferrus to learn how to kill the robot once
and for all…
Although
the technique used is not expensive, I love how “Tales of the Undead” depicts
the transformation from mortal man to monstrous machine. The screen transforms into comic-book frames
as the transformation occurs, and we watch the entire sequence in illustrated
form. The murders are also depicted as
excerpts from a comic-book, and thus this episode gives once the chance to
visualize Micki and Ryan in that form.
Some of the visual compositions in this episode -- in both illustration and video form – strongly echo familiar comic motifs. My favorite image finds the colossal Ferrus emerging from an elevator, a slain enemy at his feet.
Beyond
the non-conventional visualizations of the action, “Tales of the Undead” works
remarkably well as a human story, and in fact, one of the most “human” stories
of the canon. A budding illustrator
himself, fanboy Ryan holds Jay Star up as a hero, only to learn that he has
clay feet. His hero worship turns to
sympathy and pity when he learns that Star has become weak and bitter with age
and because of desperate conditions.
There’s something very powerful about this particular relationship, and
Ryan’s slow realization that Jay Star, though incredibly talented, is as human and
fragile as he is.
I
mentioned above how the episode lingers on the idea of an artist dwelling in a
kind of financial and creative exile. We
have seen this happen again and again in Hollywood, and in the comic-book world
too.
Inevitably,
it seems that one partner in a beloved collaboration ends up with the lion’s
share of the credit, or with the fame, while the other slowly disappears from
sight. Great works of art have also been
taken out of their creator’s hands frequently by business interests, and of
course, “Tales of the Undead” explores that truth as too. In all, it’s a much more nuanced approach
than the “cursed antique of the week” premise may suggest.
Finally,
the episode is enhanced greatly by Ray Walston (1914 – 2011) one of cult-tv
history’s greatest treasures. Walston
starred in My Favorite Martian (1963 – 1966), and The Magician (1973), and
made the cult-tv rounds as a guest star on programs as diverse as
Buck Rogers in the 25th Century, The Evil Touch, and The
Incredible Hulk.
Walston makes the interesting acting choice in “Tales of the Undead” not to play Jay Star up for sympathy or pity. Instead, he ramps up all the darker emotions, namely rage and bitterness. And yet, in part because of Walston’s frail physicality partly because of his incredible, raspy voice, the character nonetheless gains our sympathy. He wants what we all want: more life.
“Tales
of the Undead” came early in the Friday the 13th: The Series
run but it stands out as one of the very best episodes of all.
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