Wednesday, February 29, 2012
Cloned from a Mutual Zygote: Cinematic Joan of Arc(s)
award-winning creator of Enter The House Between and author of 32 books including Horror Films FAQ (2013), Horror Films of the 1990s (2011), Horror Films of the 1980s (2007), TV Year (2007), The Rock and Roll Film Encyclopedia (2007), Mercy in Her Eyes: The Films of Mira Nair (2006),, Best in Show: The Films of Christopher Guest and Company (2004), The Unseen Force: The Films of Sam Raimi (2004), An Askew View: The Films of Kevin Smith (2002), The Encyclopedia of Superheroes on Film & Television (2004), Exploring Space:1999 (1997), An Analytical Guide to TV's Battlestar Galactica (1998), Terror Television (2001), Space:1999 - The Forsaken (2003) and Horror Films of the 1970s (2002).
Subscribe to:
Post Comments (Atom)
A Reflection on My Father, Ken Muir (1943 - 2024)
If you are a regular reader of the blog, you know that in February and March I shared pages here from "The White Book," my father&...
-
My friend, Johnny Byrne (27 November 1935 – 3 April 2008) -- an Irish poet, philosopher and writer on science fiction TV series such as Sp... -
Today, we return to the blog's ongoing survey of the fantasy films of the 1980s. Last week, we remembered the visually-impre...
Wouldn't be surprised at all if Fincher wasn't inspired by Falconetti's look in Dreyer's classic.
ReplyDeleteHi SteveW:
ReplyDeleteI think that's very much what occurred. I've read that Fincher's opening gambit to Weaver (on their first meeting) was a request for her to shave her head.
The great thing is that the Joan of Arc context really works well in terms of the religious backdrop and other thematic elements of Alien 3, a movie I absolutely love, despite its bad reputation.
Great comment!
best,
John