In
“The Sky is Falling,” a strange alien probe seems to assault Dr. Smith
(Jonathan Harris), leading him to fear that an alien invasion is imminent.
The
Robinsons attempt to calm down Smith -- this cosmic Chicken Little -- but very soon humanoid
aliens do beam to the planet on rays of light during a matter-transfer process, and set up a small research
facility.
Like the Robinsons, the
visiting aliens are a family: a mother, a father, and a young boy.
While
Smith advises murdering the aliens before more of their brethren get a foothold
on the planet, Robinson (Guy Williams) argues for saner heads.
But when Will (Bill Mumy) disappears, Smith
is able to ratchet up everybody’s fear and suspicion.
He
suggests that the aliens have abducted Will, though the truth is that Will is
helping the alien child, who has developed an illness from exposure to the
human boy.
Heavily
armed, the Robinsons lead a small assault team, consisting of John, Don (Mark
Goddard) and Smith) to the alien territory, ready to kill to retrieve Will.
But
the aliens are also suspicious of the humans, and are missing their son too. Worse, they have superior weapons…
“The
Sky is Falling” is another great, classic episode of Lost in Space (1965 –
1968). It rises right to the top of the series catalog
(alongside “My Friend, Mr. Nobody,”) in fact.
The
idea underlining the episode is that, simply, on the frontier there are no
second chances.
Danger
lurks around every corner, and fear is a constant companion. But if that fear spirals out of control,
violence is inevitable.
Therefore, it is incumbent on all of us to control our fears; to remain
rational in the face of the unknown.
In
this case, Smith is the provocative agent of fear, playing on the Robinsons’
protective instincts towards Will. Smith
wants to destroy (meaning murder…) the alien family, even though that alien
family has done him no harm, and has shown no signs of aggression.
By
contrast, Robinson argues nobly and logically against war. “There’s
every chance we can live together in peace,” he suggests.
But
Smith won’t surrender even though, as he acknowledge, he has no proof that the
aliens are hostile in any way.
“Evidence? What do I care about evidence?”
He asks.
In
other words, he has an agenda, and the facts be damned.
Robinson
also makes a cogent argument about dealing with alien life and alien
morality in general. He thinks the situation
through, even though others demand immediate, violent action.
Specifically, Robinson asks what happens if the
Robinsons do start a war, and they are successful in the campaign. What happens next, when the thousands of aliens that
Smith fearfully anticipates do arrive?
Because the Robinsons have acted violently, they truly will stand no
chance of survival.
Smith
-- as Machiavellian thinkers will -- dismisses Robinson’s ideas of “universal brotherhood” as hopelessly
idealistic, misguided. When a person wants a war, we see, he or she will do
anything to get it, against the better angels of our human nature, and against
the simple facts, even.
“The
Sky is Falling” looks at this total irrationality, this tendency to react
fearfully and in a cowardly fashion, in the face of the unknown.
And remember, Lost
in Space acts universally as a space age metaphor for the American West, and the settlement
of that territory in American history. The Robinsons encountering an alien family brings up,
naturally, the idea of American pioneers encountering Native Americans, and the
possibilities that arise from that encounter.
You can either choose courage and peace, or choose fear, conflict, and ultimately genocide. Which path ennobles us? Which path damns us?
Certainly,
"The Sky is Falling" is a moral story worthy of Star Trek, because it concerns mankind choosing to be
better in the future than he was in his past. We do not have to be trapped by our history. We can overcome it.
But, importantly, this exact story could not work on Star Trek as effectively
as it does within the pioneer family paradigm of Lost in Space. Here, we
understand what’s at stake: parents worrying for a missing child, and therefore drawing
the absolutely worst conclusion about what has happened to him.
Where our children are concerned, we want to
take no chances. We must be their
vigilant protectors. And when we fear they are in danger...watch out. I say this as a parent, myself.
But
does this sense of paternal and maternal protection mean, lacking information, we should go to war…out of ignorance?
That’s the campaign Smith begins in “The Sky
is Falling. Finally, only Will and the alien boy -- representing the
possibilities of tomorrow, or the future -- can get the adults to lay down
their arms and face each other not with fear, but with humanity.
Obviously,
you can’t have Smith starting a war every week, every single episode, but “The
Sky is Falling” finds a worthwhile use for the oft-over-exposed character.
If the Robinsons
represent the best of humanity the rational, caring, “pioneer spirit,” Smith
represents the worst qualities: cowardice, fear, hatred, prejudice.
When push comes to shove on the final
frontier, the question becomes, which “human nature” -- Smith’s or the family’s
-- will prevail?
“The
Sky is Falling” is just about a perfect episode of Lost in Space in this format, reminding us
that when we move on to the next horizon, outer space, we will take with us not just our
angels, but our demons too.
In terms of
historic/canonical importance, this episode also gives Smith his first opportunity for
another memorable catchphrase: “Have no fear, Smith is here.”
It’s
important in context. Have no fear? Smith is the one who
brings the fear! It is his presence that nearly leads the Robinsons into a
disastrous and unnecessary war. But, in typically self-deluded fashion, he sees himself as the hero. As Yoda himself might tell him, wars don't make anyone great, or a hero.
Next up, another fantastic early Lost in Space story: “Wish Upon a Star.”
And the shows transaction from Black & White to Color
ReplyDeleteFantastic review. You point out things writers intended that I never caught before
ReplyDelete