In
“The Derelict,” the second-ever episode of Lost in Space (1965 – 1968), Maureen
Robinson (June Lockhart) dons a space suit and attempts to save John (Guy
Williams), who is outside the Jupiter 2 on a delicate repair mission gone
awry.
As
the Robinson parents attempt to return inside the vessel, the airlock jams and
a flaming comet nears. If they can’t
make it inside the ship’s protective hull, they will burn up.
A
last minute rescue brings the Robinson elders inside, and sometime later, John
reflects in his journal that the Jupiter 2 must have gone through hyperspace at
some point, which accounts for its extreme distance from Earth, and the crew’s
inability to pinpoint the ship’s location. Robinson also declares that the man
responsible for the ship’s plight, Dr. Smith (Jonathan Harris) will henceforth be treated as a “stowaway.”
Even
as Alpha Control declares “America’s
first space family” lost, Will (Bill Mumy) picks up a signal somewhere
nearby the Jupiter 2. Smith suspects his own people are attempting to rescue
him, but the truth is far mysterious.
The source of the signal is a derelict of alien origin.
The
Jupiter 2 is pulled inside the derelict, and John uses the opportunity to
search the vessel for a star map that could pinpoint their location. Meanwhile,
Will discovers the denizens of the ship...and Dr. Smith promptly shoots one of
the aliens.
“The
Derelict” has always been one of my favorite episodes of Lost in Space because I
enjoy both the idea of humans encountering a mysterious alien space vessel, and
because the aliens -- weird, electrically-charged bubble-things -- are not
humanoid in design
Still,
on this re-watch I couldn’t help but notice how long it takes to get to the
central action. The first portion of the episode, with Maureen and John still
on an ill-fated spacewalk takes forever to resolve.
And everything is slowed
down exponentially by the creative choice to act as if outer space is water,
and all physical movements are occurring, essentially, in molasses. The end of “The Reluctant Stowaway” and the
beginning of “The Derelict” are harmed to a large extent by the fact that the
story -- and the characters themselves -- move so slowly. This is one area where the fifty year old
series has not held up well.
Once
the Jupiter 2 enters the alien ship (which folds open in glorious, mid-1960s,
pre-CGI miniature work…), the action picks up.
The Robinsons are confronted with an unknown species, a spaceship
interior littered in cob-webs, and then truly alien appearing beings. Leave it to Dr. Smith to turn an opportunity for
friendship into a disastrous first contact experience.
Still,
this “chance encounter” with the aliens grants the Robinsons the information
they need. And they set off towards a nearby planet, where they hope to
settle. The setting of the alien ship
provides some great production design. I
like the weird computer alcove, where Major West and John Robinson seek to
extract information. And the alien first emerges (near Will) behind an area
that looks very much like brain matter.
After
so much 1960s “future” tech in the first episode, the interior of the derelict --
dark and frightening -- makes a great visual diversion.
Indeed,
I like the mysterious aspects of “The Derelict,” and the idea that the
Robinsons are now un-tethered from Earth not only in terms of location and
communication, but in terms of chronology. They reckon here with a spaceship
that could be ages old, and certainly is the product of a culture far different
from their own.
The
special effects in this episode area all extraordinary, from the comet that approaches
the Jupiter 2 to the composites from the ship’s control room that show the
approach to the derelict. The landing
sequence of the Jupiter 2, in dark, chaotic terrain, also holds up remarkably
well. Perhaps aided by the moody black-and-white photography, these moments don’t
show their age at all.
The
alien beings -- when they are first seen -- are similarly impressive.
Non-humanoid in design, they appear to be genuinely from a different world and
different form of evolution. They only
time they don’t impress is during the final chase, when they seem to scoot
across the ship’s floor as if on wheels (like Daleks).
In
terms of characterization, and in particular, Dr. Smith, John Robinson is right
to treat him as a “stowaway” but in the very next episode, “Islands in the Sky,”
he still has free run of the ship. There’s
an old joke (originated by David Gerrold?) about Dr. Smith being given a tour
of the nearest airlock. There are times in these early episodes, with lives
grievously threatened, that Smith is treated too well by the others. He is constantly endangering the crew, and
represents not just a current threat, but a future threat as well. If I were Robinson, I might not have tossed
him out the airlock, but rather marooned him on that alien derelict and let him
take his chances with the crew that he attacked.
That’s his problem…let him clean it up.
Speaking
of airlocks, we’re only in episode two of Lost in Space at this juncture, and
already the Jupiter 2 is malfunctioning a lot.
A sensor stops working. The airlock jams. And so on. This thing needed a shakedown cruise!
Next up: “Islands in the Sky.”
Some thoughts on the Jupiter 2 and on Dr Smith:
ReplyDeleteThe condition of the ship is easily explainable as being the result of damage in the previous episode from the meteor storm and the runaway engine/"hyperdrive" event. The hatch jam is likewise explainable as the result of thermal expansion due to their proximity to the comet.
The changes in Dr Smith (which become more exaggerated over time) have an explanation in fan theory based on dialogue from the pilot: at full power the energies emitted by the engines have dangerous side effects that can only be protected against via the insulating properties of the freezing tubes. Not only was Dr Smith not in a freezing tube at liftoff, but he was on the LOWER deck at that, and exposed almost directly to the energy fields. Brain damage from that exposure, combined with the stress of the next 3 years, caused a progressive deterioration of the Doctor's mind.
There is also information based on a mockup of a TV guide episode list for a possible Season 4 that the doctor might have been faking as a way of staying under the Robinsons' notice until an opportunity to strike once again presented itself when he would turn on them.