In
“The Android Machine,” Dr. Smith (Jonathan Harris), Will (Bill Mumy), Penny
(Angela Cartwright) and the Robot (Dick Tufield) stumble across an alien
vending machine in the desert. Smith
activates it and orders an android, the beautiful Verda (Dee Hartford).
Verda,
manufactured by Unit 12 at the Celestial Department Store, promptly
materializes, and announces that she belongs to Smith, forever. However, he
quickly tires of her presence when she spoils a foot massage. The Robot is also
suspicious of her, because she knows more about galactic history than he does,
and replaces him as the children’s teacher.
Meanwhile,
the Robinsons worry that the owner of the vending machine will soon arrive with
a bill for Verda, and they are right.
She carries a value of 100 Kilastros, and her owner arrives via space
elevator, concerned that Smith ordered her without “intending to pay.” That’s a
crime worse than shoplifting, he suggests.
Meanwhile,
Verda develops human emotions, and a deep friendship with the Robinsons. She
sacrifices herself rather than allow Smith and the others to be punished for
Smith’s bad behavior, and returns with the owner to the department store.
Despite
the usual complaints about continuity, and the larger universe around the
Robinsons, Lost in Space’s (1966 – 1968) “The Android Machine” is a strong
episode, at least at this juncture.
Primarily
this is so because of the emotional hook: a machine who develops humanity. In the great tradition and spirit of TV
androids from Star Trek (“What Are Little Girls Made of”) to Space:1999
“One Moment of Humanity”) to The Fantastic Journey (“Beyond the
Mountain”) to The Next Generation (“The Offspring,”) “The Android Machine’s” Verda
is a synthetic being who begins to grapple with her nature, and with human
emotions too. She learns the key aspect of “self-sacrifice,” protecting Will
and Penny from a monster in a cave, and also cries green tears.
Verda
is more than mere machine. She is a
person. Dee Hartford delivers a strong, sympathetic performance in the role of
the android, and I can’t think, off the top of my head, of a guest performer
who has had more impact on the series, except perhaps for Michael Rennie in the
first season. Verda asks why people
laugh, learns about the difference between self-preservation and self-sacrifice,
and even seems to appreciate Dr. Smith, despite his apparent flaws. She goes from being all “logical” machine to
something much more emotional, and human.
Of
course, I can still complain, as I often do here, about the universe of Lost
in Space, and its radical fantasy nature. Here, we see an elevator from a Celestial
Department Store land on the Robinsons’ planet, and an obnoxious floor manager
with a French accent disembark. Why does
he have a French accent? Does he
actually come from France? Isn’t he
supposed to be an alien? Are all
obnoxious floor managers French in nationality?
I
could buy all this a little better if, perhaps, the Robinsons had been hurled
ten thousand years into the future, as well as into deep space. They could then come across all these human
outposts that recreate life on Earth (department stores, zoos, circuses, boxing
rings, etc.), and it would make a modicum of sense, at least on some
level. But for an alien to possess a
French accent and operate a vending machine from a department store? To coin a
phrase, WTF?
It’s
weird and nonsensical. It’s
surreal. And I don’t think, actually,
that the makers of Lost in Space were aiming for “surreal” as a destination. Contrarily, I believe the show looks like it
does because it was easier to have French-accented aliens in a department store
than to imagine something truly different, and alien, as we saw in an episode
such as “The Derelict.” At some point,
the makers of the show decided that children wouldn’t care of the series delved
outright into silly fantasy instead of serious science fiction.
And,
as usual, I must complain about the fact that the Robinsons don’t ask for help
from the department store employees.
They could claim to be customers, interested in seeing the store, and
ask for transport to it, right? Why don’t
they do that? John wants to get to Alpha
Centauri quite badly, so why doesn’t he try to make that happen with some
individual who happens by the planet?
But
again, it’s really useless to complain about what Lost in Space “is” at
this point.
The
show has developed its out-there, surreal format, and this is it, like it or
leave it. Within that context, I would
be dishonest if I didn’t conclude that “The Android Machine” is a strong
episode. Verda is a great character, and
her time with the Robinsons is emotional and filled with heart. The core of the series, as I’ve written
before, is the family learning about its own humanity on the frontier.
In some
deep way -- by becoming human like they are -- Verda helps the Robinsons to do
just that in this episode.
Next
week: “The Deadly Games of Gamma 6.”
John,
ReplyDeleteThe real question about this episode and related episodes to follow is why did the Celestial Department Store put catalog/ordering machines on a desolate planet in the middle of nowhere? There's no evidence of life or a civilization on the planet, unless you count Tiabo, who was living there by himself just to get away from everyone.
As for the earth-like contrivances, the true reason behind this was budgetary constraints. The stories of the directors and producers recycling props and sets from other productions is true. A space elevator, visitors in tuxedos and the same ship blasting off over and over again was more due to the money it would take to create something altogether new. It was a concern, and it's come up in various interviews with cast and production personnel over the years. To coin another phrase, it is what it is.
"The Android Machine" is not one of my favorites but when I re-visit this one on blu ray, I will be watching it with your insight in mind and perhaps discover a new appreciation for it.
Steve
John nice review of this season two high point. You are correct that during the three seasons they did not ask every alien encountered for help to get back to Earth or to Alpha Centauri. Albeit, Dr. Smith constantly asked the aliens behind the Robinsons back. Even on Gilligan's Island every episode they encountered anyone they wanted rescue!
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