In
“Alice in Disco Land,” David Banner gets a job as a bus boy at Pandemonium
Disco, and meets a runaway teen, Alice (Donna Wilkes) whom he knew as a
child.
In
fact, David has fond memories of taking care of Alice as a girl, and reading to
her from Lewis Carroll’s Alice in Wonderland.
Now,
however, Alice isn’t doing so well. Virtually abandoned by her wealthy mother,
she is adrift and alone. And although she is a great disco dancer, Alice is
also an alcoholic. She can’t go a day
without drinking, a fact that David gently reminds her of.
When
David attempts an intervention, however, the disco’s ganger owner, Ernie (Marc
Alaimo) thinks that Banner is compelling her to testify in a Federal case
against him, and sets out to punish him.
But Ernie hasn’t counted on the fact that David can transform into the
Hulk.
Before
long, the denizens of Pandemonium Disco meet the Hulk on the dance floor, and
terror ensues.
I
had forgotten, before watching a few The Incredible Hulk (1978 – 1981)
episodes this week, just what a time capsule for the 1970s the series is.
“Alice
in Disco Land,” which aired on November 3, 1978, derives all its energy from
the ascendant disco culture of the era, including the blockbuster film Saturday
Night Fever (1977). To wit, most of the action takes place inside
Pandemonium Disco, and under a glitter ball.
While
David works as a bus-boy, hairy men in tight polyester pants and flowery shirts
and ultra-skinny women (sans bras…) gyrate on the dance floor to songs you never heard of (including a disco-fied version of the series’ piano theme).
Underneath
these disco trappings, however, it’s clear that “Alice in Disco Land” actually
concerns alcoholism, and the story attempts to draw a signficant connection
between David and Alice. At one point,
late in the action, Alice notes of her drinking problem: “You don’t understand, this is something in me. I need to control it.”
Clearly,
those words resonate with David. The purpose of his life now is to control that
thing inside himself, the rage that brings life to his alter-ego, the Incredible
Hulk. Both he and Alice must fight
internal urges if they are to succeed against the odds, and be whole once more.
“Alice
in Disco Land” is one of the episodes of The Incredible Hulk I vividly remember
watching during the series’ original run. I was eight years old at the time,
and I remember that my older sister and I attempted to re-create the disco
milieu (using a Bee Gees album on the record player), and I would pretend to be
the Hulk, smashing and throwing sofa pillows in our family room.
That
personal story is no weirder, I promise you, than the events of“Alice in Disco Land.” It was a strange time.
Ha. More great coverage. Great closing story. Hysterical really. Those couch pillows made great kingdoms and world building for me as well.
ReplyDeleteAnd by the way, strange times yes... but also wonderful.
When I was a kid, I watched "The Incredible Hulk" for the Hulk-outs... but when I revisited the show as an adult, I could appreciate the fantastic performance of Bill Bixby.
ReplyDeleteThere are a lot of actors who would have hammed it up, or acted like the role was beneath them, but Bixby filled the series with dignity and poignancy.
I firmly believe that our current superhero renaissance is due in part to stars following Bill Bixby's example and giving real acting performances.