“Don’t
Tell Mama:” The Harvest (2015)
By Jonas Schwartz
Like director John
McNaughton’s first film Henry, Portrait of a Serial Killer (1990),
The
Harvest is a methodical study
of insanity, as grief turns parents into monsters. Samantha Morton haunts as
Dr. Katherine Young, an unstable mother driven insane by her need to save her
dying son.
Prone to violent
mood swings and cold irrationality, she makes the audience nervous during her
quiet moments, and frazzled when she attacks. Just as unnerving is Michael
Shannon as Katherine’s enabling husband, who knows she has crossed the line but
allows her to continue her outrageous mission.
Orphan Maryann
(Natasha Calis) moves in with her grandparents (Peter Fonda and Leslie Lyles),
decent people who nonetheless mistaken her for a problem child, one who seeks
attention. In reality, Maryann is a sensitive girl, courageous and curious. She
meets her neighbor, Andy (Charlie Tahan), an invalid, lonely boy, and they
become immediate friends.
Andy had been in
isolation most of his life with only his odd parents as company. Mother
Katherine at first tolerates Maryann but she eventually forbids the girl from
visiting. Maryann refuses to take no for an answer, particularly when it’s
obvious Andy needs the camaraderie.
Each visit
discovered by Katherine causes more havoc as the doctor becomes further
exasperated by the young visitor. Maryann discovers the secret Andy’s parents
have been hiding, but her grandparents assume she’s acting out, making up
stories. Maryann has been abandoned by the adults and only she can protect her
young, defenseless friend from his own mother.
Though The
Harvest has been marketed as a horror thriller, this is a slow burn
film, one heightened by Morton’s character’s mood swings. Part Mommie
Dearest (1980) part Misery
(1990), Katherine Young is a basket case, one driven to the edge by her
eternal love for her son and her terror that he will die. Katherine is never
presented as evil, just utterly sick. Morton’s performance heightens that
unbalance, leaving the audience terrified of her irrational, eventually violent,
behavior.
As the henpecked
husband, Michael Shannon has never appeared so frail. Usually a manic, hulking
beast in Bug, Revolutionary Road
and Take
Shelter, he here plays someone so used to bowing to his wife, he has
lost his moral center. This tragic being wants to do the right thing, but has
no power over his wife.
Both Calis and
Tahan are endearing child actors. They relay youthful vulnerability and a sense
of bravery.
Director
McNaughton doesn’t rely on tricks (the one twist is blatantly obvious) or gore to
hook his viewers. He allows the actors to control the tension with penetrating
results. The Harvest is a minor work but one worth discovering.
Jonas Schwartz is a voting member of the Los Angeles Drama Critics, and the West Coast Critic for TheaterMania. Check out his “Jonasat the Movies” reviews at Maryland Nightlife.
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