In
“The Picture Maker,” Korg and his family rescue a mute boy, Moon, while out
hunting.
Although Moon is unable to
speak, he can communicate by drawing pictures in the sand with a stick.
To Korg
and his family, this seems like a magical -- and useful -- gift.
However,
Moon’s family comes looking for him. He has shown cowardice during his first
hunt, and if he can’t hunt, he can’t eat.
And if he can’t eat, he will die. The men in his family refuse to hunt
for him any more.
Korg
(Jim Malinda) and Mara (Naomi Pollack) attempt to convince Moon’s family that
he has other gifts of value, beyond hunting, particularly his ability to
communicate by drawing.
“The
Picture Maker” is a sort of new template for Korg 70,000 B.C. Future stories,
including “The Ancient One” and “The Story of Lumi” follow the same
pattern that unfolds here. Basically, a stranger is
welcomed into the Korg family, despite the scarcity of resources (food and
water). But that person, despite being
an extra mouth to feed, reveals that he or she has virtues, and can contribute
something important to the family.
When
the visitor’s family of origin arrives to take the visitor away, Korg and his
family attempt to impart this lesson to the other group.
It’s
not a bad template, for certain, but it is repetitive. This week, we meet Moon, a boy who can’t talk
or hunt, but can draw. Next week, it’s
Lar, a dying old man who can’t physically hunt, but can share his hunting
experience for the good of the community.
Although
I like the message, and it is important to recall that the series is designed
for children of the 1970s, it is a little jarring to hear a Neanderthal women
tell a rival tribes-people that “there are other meanings to life besides
hunting.” I just don’t believe that the
world we have seen depicted in the series so far – a world of extreme fear and
ignorance, often – would have such an enlightened point of view. Many people today still don’t have that
enlightened point of view, and try to put people into boxes. But here is Korg 70,000 B.C., preaching cave
man tolerance.
As I said, I
like and appreciate the message (and in fact, agree with it), but it’s hard to swallow this moral lesson coming
from these characters who, on several occasions, have gone into full blown
panic attacks (not to mention catatonic paralysis…) because they don’t
understand how the world works.
Next
week: “The Ancient One.”
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