In
“Planet 46” the inaugural episode of Gerry Anderson’s Supermarionation series Fireball
XL5 (1962-1963) Space City’s World Patrol Headquarters and Commander
Zero detect a missile approaching Earth.
Worse,
it carries a “plan-a-tomic bomb,” a
weapon capable to causing damage on a planetary scale.
In fact such weaponry is known to be a “million times more powerful than a hydrogen
bomb.”
In
space sector 25, Steve Zodiac, Robert the Robot and the rest of Fireball’s crew
divert to intercept the missile. They explode it using radio-waves and trace
its source to the mysterious Planet 46.
The
ship heads to that planet, and Venus and Steve head out on their jet mobiles to
explore the barren world, where no signs of life have been detected.
Before
long, they spot a door in the side of a mountain, and a secret base
inside. The aliens who dwell there, the
Subterrans, are planning to launch a second attack. The aliens capture Steve and Venus, and
launch a second deadly missile…this time trapping Venus aboard the speeding
craft!
It’s
up to Steve and Fireball XL5 to save Venus, and the Earth, from total
annihilation…
Fireball
XL5’s premiere
episode looks eerily familiar. It’s a light rewrite, essentially, of the Supercar
(1961) story “The Lost City.”
Both
stories involve villains with secret bases, captured heroes, and weapons of
mass destruction lobbed at a heavily-populated area. Both
stories end with a pursuit (and the destruction of) a missile.
Accordingly,
“Planet 46” is not a particularly original or scintillating half-hour. Later episodes of Fireball XL5
(including the one I will look at on Wednesday: “Flight to Danger”) are much
stronger in terms of character development and storytelling than is this debut.
It’s
ridiculous to judge a series made more than fifty years ago by today’s social
standards, and yet by the same token it’s impossible to notice how poorly Venus
is treated here compared to the male characters. She is a brilliant doctor and
astronaut, and serves ably on landing party missions, and yet twice she is
asked to make coffee for Steve Zodiac.
It’s
such a strange dichotomy. The creators of the series knew that in the space
age, female officers would fly spaceships and prove invaluable members of a
team…and then they had them still acting according to 1960s sexist behaviors…like
fetching coffee.
Two
giant steps forward for woman, one step back for woman-kind. In the works of Gerry Anderson, this problem
abated in the 1970s. UFO posited (two) female commanders of Moonbase and in Space:1999
Dr. Helena Russell and Maya were both crucial motivators in terms of the series’
action.
But Fireball XL5 is an early point in that evolution.
The
dialogue in “Planet 46” is also much more basic (and clichéd) than the dialogue
in later episodes. Steve has an exchange
with the Subterran leader that goes like this:
“Unlike
Earthman, we do not make mistakes!” declares the alien.
“That’s what you think!” Steve
answers.
This
same line of dialogue has been used on every Filmation superhero series since
time immemorial. It’s so…trite. Not to
mention lame.
But
again, Fireball XL5 is clearly getting its space legs, and so it’s no
wonder that the first episode is a bit wobbly.
“Planet
46” also features some nice, not to mention idiosyncratic, touches worthy of
mention. I liked the alien “coma ray”
which puts enemies to sleep. In this
case, that means that the puppet characters literally go limp before your eyes.
I
also enjoyed Steve’s space walk without a space suit (made possible by ingesting
“oxygen pills.”)
Finally,
Robert’s agitation about making a mistake is accompanied by jets of steam
shooting out of his ears. That’s weird…but
original and memorable.
I
prefer Fireball XL5 to Supercar in part because I love the
design and capabilities of the titular ship, but I also really enjoy the series’
storytelling when it is going full thrusters.
When Fireball XL5 operates outside the standard evil-alien-wants-to-destroy-Earth-with-terrible-weapon
paradigm on display here, it’s really a lot of fun.
On
Wednesday: “Flight to Danger.”
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