In
“Flight to Danger,” the second episode of Fireball XL5 (1962 – 1963),
Astronaut 90 is working hard to get his “astronaut
wings” so that he can become the best controller in World Space Patrol History.
Although
nervous about his progress, Steve Zodiac shepherds Astronaut 90 through the
training program.
First
up: landing Fireball XL5 safely at Space City.
It’s not a pretty landing, but 90 succeeds in the mission and pilots the
craft to safe touchdown.
Next,
90 must launch the XL-1 successfully in orbit to show he is capable of “directing space traffic” and again, he
succeeds.
However,
the final stage of the astronaut training program involves the “psychological strain of being completely
alone in space.” To that end, 90
must fly a space capsule alone in space to demonstrate his “endurance” and “aptitude.”
Unfortunately,
a freak malfunction causes 90’s atomic motor to become dislodged in flight, and
the capsule is destroyed in a terrible explosion.
Zodiac,
Venus and the Fireball XL5 crew go in search of 90 but find only debris.
But
90 survives, proving resourceful and earning those astronaut wings…
“Flight
to Danger” is a solid, effectively-written and executed episode of Gerry Anderson’s Supermarionation
series Fireball XL5. It is concerned primarily with character development, and
one character’s progress through a training program.
The character in training is Astronaut 90,
and he is a young, insecure man that the audience (and Steve Zodiac) come to
care for. There’s no standard pulp stuff
here about death rays or alien plots to invade Earth, only a narrative that
reveals more about the world of Fireball XL5, particularly astronaut training.
The
episode is strong in terms of how it treats other characters as well. Steve Zodiac shows
confidence in Astronaut 90 and is a good mentor. At one point, he even
laments his presence in Space City Mission Control, noting that he’s “strictly
an action guy,” not a push-button guy.
Commander
Zero also is handled well, coming off as a bit of an obsessive-compulsive who
worries about every aspect of every mission. This is a good quality to have in
a man in control of a vast space program, but his angst adds a sense of
humanity to the character.
“Flight
to Danger” also deals with real, nuts-and-bolts aspect of a space program, such
as coping with feelings of isolation, loneliness and even claustrophobia in
space. This is one reason I have always
enjoyed Anderson’s works. Set in the
near future, these productions typically remember that man is capable of great things, but also
tethered to Earth (and his history) by his psychological foibles.
This is a contrast, somewhat, to the world envisioned by latter-day Star
Trek, in comparison.
I
also enjoyed a weird visual in this episode: sweating puppets!
At a few
junctures in “Flight to Danger,” we see that Zodiac and the others -- their nerves
tingling -- are perspiring heavily. It’s
a weird touch to see sweat glistening on wooden puppets, but another bow, in
some weird way, to Gerry Anderson’s realistic approach to human crises.
Finally,
this episode features Steve and Venus at her beach house enjoying a night “of
musical relaxation.”
I thought for certain that this was a metaphor for a more
adult pastime, but sure enough the episode cuts to the Fireball crew enjoying
music together in her house…
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