Here’s some bad news: the best hours of Logan’s Run: The Series
(1977-1978) are behind us. Only two episodes remain, “Turnabout” and “Stargate,”
and both are very poorly done. If I had
to compare them, I’d say that “Turnabout” is somewhat better than “Stargate,”
while still proving largely unsatisfactory.
"Turnabout" is a story by Michael Michaelian and Al
Hayes wherein Logan (Gregory Harrison), Jessica (Heather Menzies) and REM (Donald
Moffat) stop for water in desert and find an unconscious woman in the sand.
She's wearing a burqa to hide her face.
An armed patrol on horseback finds the Runners and escorts them to
the city of Zidar, a repressive, theocratic society where books are not permitted. In fact, knowledge is
considered a danger. Soon, Francis
(Randy Powell) and another Sandman show up in pursuit of Logan and his friends, and are captured too.
Both groups are taken before "the Judgment Chair.” There, the
city leader, a restrictive, draconian man, proclaims that they should be
executed in accordance with the traditions of the city With the help of Mia -- the woman
they saved in the desert -- Logan and his pals escape, but are captured by
Francis.
Then, they are all captured again, and Francis is forced into a
"duel" before the Judgment Chair.
At the end of the day, there is
regime change in Zidor to a more moderate ruling philosophy, and the Runners continue on
their way, seeking Sanctuary.
“Turnabout” features some fascinating, if ultimately poorly explored
underpinnings.
The desert city of Zidar is depicted, for instance, through a fantastic and
intricate matte painting. What the matte painting reveals is very intriguing: Zidar looks like an Islamic city of the
Middle East. Just take a gander at some of the architectural flourishes.
Look hard enough you’ll spy the domes, and arabesque touches we associate with
the historic architecture from this region of our globe.
That’s important, because clearly this episode is an attempted commentary on the restrictions of Islamic fundamentalism, or radicalism. Women in the theocracy of Zidar are
treated as second class citizens, with abrogated rights and freedoms, and they forced to hide
their features. Furthermore, books and knowledge outside of tradition are
considered frightening, and therefore banned by the government.
Since Logan’s Run: The Series suggests here a post-holocaust version
of restrictive, extremist Sharia Law in America, the
episode seems more relevant post-9/11 than it did when it was produced in the
mid-1970’s. Still, one wonders how this
restrictive, anti-woman society came about post-Holocaust, especially in the
America heartland.
What world events were the writers responding to here to attempt this social commentary? I suspect that they
probably looked at the demonstrations occurring in Iran in 1978. Although the
Iranian Revolution didn’t technically occur until April of 1979, there were protests
against the Shah, and general unrest in 1978. Perhaps the writers saw where it was going, and what a theocracy would be like.
The fascinating thing about “Turnabout” is that it suggests --
again drawing a parallel to history -- that Zidar was once a society of glittering
advancement and advanced judicial precepts. It was a place of learning, and
knowledge and freedom. It was a place that welcomed visitors.
But extremists have taken over, and transformed the state to a
restrictive one.
This is all quite fascinating material, especially given our 21st
century context, but “Turnabout” treats the themes inherent in this story with a kind of slapdash inadequacy.
Basically, the allegorical extremist state is but an excuse for a Star
Wars-esque sword fight between Francis and a Zidor guard (played by Gerald
McRaney).
And, Logan, Jessica and REM are so busy running to and fro that
they don’t actually cause the revolution that turns-over the society. Instead, we are simply told at
story’s end that the leader has been deposed in favor of a new, and less
radical one.
So our heroes take no
productive part in changing the society for the better, and restoring it to its
historical nature as a just, civil, even artistic state. It just happens while they are there…being
captured, escaping, being captured, and escaping again.
So even though “Turnabout” clearly references a real life culture
(and shift to extremism in that culture), Zidor is still a "straw
man" society, there for the collapsing, in accordance with our 1970's
American values. I must admit, I find
this cognitive dissonance laughable. According to Logan’s Run lore, the world
destroyed itself, based on the values of the Cold War Era. Russia and the U.S. fight to the death, and launch global nuclear war, over possession of a fearsome technology: time travel (per "Man out of Time.")
Now, long after,
Logan, Jessica and REM are championing those very ideals, against other cultures…even
though these ideasl destroyed their world. I’m not saying that our values here are bad,
just that in a series that discusses how our culture fell, it is weird that
our culture is championed…even though it was at least partially responsible for
destroying civilization.
Another series that I love, Buck Rogers in the 25th
Century (1979-1981), features the same fallacy. Future heroes pursue the ideals American
Exceptionalism, but do so after America has been a key player in the destruction,
essentially, of the human race in some form of holocaust.
But the real problem with “Turnabout” isn’t this. It’s the general
lack of meaningful plot development. Who's rescuing whom? Who's going back for
whom?
These plot machinations are all become increasingly tedious. o much so that it’s clear that the series is on
its last legs. Running around has
supplanted ideas as the central tenet of the series.
Next week: The last Logan’s Run episode: “Stargate.”
"Turnabout" was almost written as though Logan, Jessica and REM in their solar hover vehicle have traveled around the world to Zidar in the Middle East. I suspect that it is just the writers are using new settings for them to encounter in the continental United States. We assume Zidar was built in the U.S. after the apocalypse happened perhaps based on books about the Middle East. If so, it is what happened with the Chicago mobs book influencing Star Trek "A Piece of the Action". I suspect that if the series had continued we would have seen many other Earth cultures and religious groups encountered in other new settlements.
ReplyDeleteSGB
Post-apocalyptic series did not have a vehicle that allowed them to travel the Earth and not be set only in the United States, e.g., Ark II, Logan's Run and Planet of the Apes. However, Genesis II(1973)/Planet Earth(1974) pilot telefilms had a NASA Subshuttle system that covered the Earth underground. A script was written for the aborted series that had them going to London via subshuttle.
ReplyDeleteSGB
John,
ReplyDeleteI recognized Nehemiah Persoff from the photo. He played a similar role in a Land of the Giants episode "Land of the Lost," as a dictator named Titus. He was also an Eastern Alliance leader on Battlestar Galactica. I guess whenever a show in the 60's or 70's needed a despot, Nehemiah Persoff got the call!
Steve
Francis and his combative ways seem to fit what you describe here as American interference in the affairs of others. But the solar car trio are peaceful and truly just want to move on. Of course they also express opinions, but those same opinions regarding a kinder way are already present in the city of Zidor, and just needed some light shone on them.
ReplyDelete