In
“Tarzan and the Olympiads,” Tarzan rescues two escaped slaves, Dmitri and
Logos, from Roman troops marching in his jungle.
These
Roman troops hail from a (lost) city where the physically strong rule the roost,
and the losers in athletic games become slaves. The tyrant of Olympus is named
Cronos.
Tarzan
is captured by the Romans and must fight to regain his freedom, but he must
also help bring freedom to the city.
“Tarzan
and the Olympiads” is a not-very compelling installment of this 1976 Filmation
Saturday morning series. All the elements present here we have seen in episodes
before, and handled better, too. We get a lost city, for example, that apes
some other famous historical time period in human civilization, (The Roman
Empire) and we also get the young people that must be freed from captivity.
Finally, we encounter the evil tyrant, Cronos, who resists change.
The
only fresh angle is the fact that physical or athletic games form the
centerpiece of this particular civilization. Athletes prove their worth by
competing in the pole vault, the long jump, spear throwing (!) and foot races.
Naturally, Tarzan is well-equipped to win in all those events, and thus
challenge Cronos. In fact, he saves Cronos from a crocodile during one athletic
event.
What’s
weird here is that the city appears to have no women in it all. This fact adds
a whole other subtext to the installment. It’s all about half-naked men and
their acts of physical prowess. I’m not saying there’s a problem with that, or
that this subtext was intentional, just that the total lack of females on
screen encourages a different reading of the tale. And it’s a little strange
too. Someone has to be giving birth to
the children, right? Wouldn't the women have to compete in games too?
“Tarzan
and the Olympiads” ends, naturally, with Tarzan victorious and Cronos changing
his ways. “We must stop conquering
and staring caring,” is the message for audience at home.
Of
course, the city also needs to find some women…
Next
Week: “Tarzan’s Trial.”
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