The
third Die Hard film re-establishes the action franchise’s reputation
for excellence…with a vengeance.
The
highest grossing American film of 1995, Die Hard with a Vengeance --
directed by John McTiernan -- thrives so fully as a work of art and a splendid
entertainment because it lets go of many of the series’ past-their-prime
characters, settings, and ideas.
Die
Hard with a Vengeance
is set during a hot, sweaty summer -- when temperatures rise -- instead of
during a bitter cold Christmas, for example.
Similarly,
this third Die Hard film doesn’t play the “fish out of water” card a third time, and the writers permit John
McClane (Bruce Willis) to actually work in the city he actually calls home: New
York. It’s nice to see him on his own turf for a change.
And
even more rewardingly, this second sequel doesn’t shoehorn in cameos from supporting
characters who are no longer crucial to the narrative.
Beloved
but ancillary personalities such as Al Powell, Dick Thornburg and even Holly
Gennero McClane are all absent from the action this time around, and that’s as
it should be. Accordingly, they no longer divert time and energy away from the
storytelling.
That
probably sounds terribly harsh, but the fact of the matter is that action movies
shouldn’t be forced to cater to the demands of fan service.They should focus,
instead, on thrills, suspense and movement.
This
Die
Hard even eschews the franchise’s trademark obsession with a threat in
a single, isolated location (a snowed-in airport, or burning building), for a
sprawling city-wide chase instead.
Finally,
Die
Hard with a Vengeance adds an unforgettable new character to go toe-to-toe
with McClane on his harrowing journey: Samuel L. Jackson’s Zeus Carver.
Accordingly,
a man “alone” story (and franchise) becomes a buddy story instead; one with
razor-sharp repartee and a high degree of consciousness about the black/wide
divide in New York City at the time.
Where
Die
Hard 2: Die Harder (1990) enthusiastically regurgitated the ending from
the first film, and took pains to repeat familiar scenes and character tropes, Die
Hard with a Vengeance feels edgy and fresh by contrast. The franchise
feels rejuvenated.
All
these changes are a recipe for a return to form, and Die Hard with a Vengeance
proves itself the second best film in the five-strong saga, behind only the original
Die
Hard.
“It’s
nice to be needed.”
During
a hot summer, a mad terrorist who calls himself Simon detonates a bomb in busy
Manhattan. As the city attempts to respond to this act of terrorism, Simon
demands that NY police officer John McClane -- now “two steps shy of being a full-blown alcoholic” -- play a game with
him.
John,
still mourning the end of his marriage, has no choice but to agree, and his
first task involves wearing a sandwich-board with racial profanity printed on
it in Harlem.
Understandably,
John’s incendiary garb catches the attention of Zeus Carver (Samuel L.
Jackson), a proud and outspoken individual who interferes…and thus becomes part
of Simon’s plan.
Simon
leads John and Zeus on a merry chase through the city, playing “Simon Says”
with them regarding an incoming train, and a bomb in a park and other
challenges.
Soon,
John learns the truth: Simon is actually Peter Gruber (Jeremy Irons), the
brother of Nakatomi terrorist Hans Gruber.
And
while revenge appears to be his game, this Gruber shares his brother’s uncanny
ability to misdirect authorities.
“This
guy wants to pound you until you crumble.”
Die
Hard with a Vengeance
commences with a blast. The sequel opens with a crisply-cut montage of ordinary
life in Manhattan, edited to the Lovin Spoonful’s 1966 hit, “Summer in the
City.”
Then
a bomb detonates on a busy street, flipping over cars in the process, and the
idea of tempers flaring on this hot summer day is beautifully expressed.
This
is a day which will see an explosion of violence and hot temperatures. Not only
is this a summer-time setting a determined shift away from the wintry,
Christmastime Die Hard and Die Harder, but the setting enhances
the idea of temperatures rising among two very different men: John and Zeus. They are like oil and water, and do not work
together easily or well.
And
that idea, of course, ties in with the “binary
liquid” bombs Simon utilizes. These explosives only detonate when two
unlike fluids flood together into one vessel. On their own, they are not
combustible, but in combination…watch out!
As
one character notes “once the two liquids
are mixed…be somewhere else.”
This
is an observation abundantly true of John and Zeus as well. They bicker, quip,
and challenge each other throughout the movie, with tempers soaring and
accusations of racism flaring. But they also manage to solve problems, work
together, and save the day.
When
they combine, things do get hot, though.
Indeed, everywhere John and Zeus go, they behind leave a trail of
destruction and explosions. They are very much two unlike ingredients combining
to explosive effect.
I
appreciate that the movie makes race an issue, and doesn’t soft pedal its
importance in the dialogue. So much of Die Hard 2: Die Harder felt rote, a
by-the-numbers repetition of the ingredients that made Die Hard so great.
Yet
there seems an ambitious attempt here to move back into a realm approximating our
reality. John and Holly have broken up, and their rift isn’t easily repaired.
John is an alcoholic, and has lost his sense of purpose. The reality of racism --
and racial mistrust -- fits into this leitmotif as well, and neither main
character is ever treated as the bad guy. Instead, they circle each other
warily, wondering if the other is a racist, or just very, very opinionated. Both
men are heroes.
The
late great Michael Kamen (1948-2003) contributes another pulse-pounding score
for a Die Hard film here, and in this case, he weaves the popular
Civil War song “When Johnny Comes Marching Home” (1863) into the proceedings
many, many times. It works beautifully in the context I’ve described.
It’s
an exaggeration to say that John and Zeus are fighting a civil war with one
another, perhaps, but the movie does feature the idea that Simon is provoking a
war of sorts in New York while he waltzes into the Federal Reserve Building to
rob its gold. Gruber knowingly makes
temperatures rise on a hot day, so no one will detect his true agenda. He sets
the City against itself. He sets blacks against whites. He even sets parents
against police (setting a bomb in a school), and he mixes those “binary liquid bombs” of McClane and
Carter. That sounds very much like the definition
of a civil war.
Irons
also gives audiences the third Die Hard villain in a row to fake an
American accent or dialect, and the idea has totally lost its impact by now,
even if, overall Irons makes for a fiendishly effective villain. I must admit, I enjoy the film’s call-back to
Hans Gruber (Alan Rickman), and love the idea of that mastermind boasting an
equally diabolical brother. Simon/Peter has some interesting tics, or at least
appears to, but like his brother, he is really all about the money.
Die
Hard with a Vengeance
also succeeds because the action alternates from frenetic kineticism to
buttoned-down suspense so assuredly.
Sure,
we get some amazingly choreographed moments like John’s impromptu taxi drive
through Central Park, but then -- moments later -- we get this contained,
intimate suspense scene involving the defusing of a bomb, or the playing of a
Simon Says game.
The
film is actually like a game of Simon Says in terms of its structure. It stops
then starts, then stops again, until given license to cut loose. Every Die
Hard movie needn’t work in this way, of course but this new paradigm makes the film
feel fresh and unpredictable.
Die
Hard with a Vengeance
possesses so much energy and verve, so much heat, if you will, that one might
conclude it is only “two steps shy of being a full-blown” masterpiece.
Next Thursday for Die Hard on a Blog: Live Free or Die Hard (2007).
"Die Hard with a Vengeance (1995) is an absolute action-packed rollercoaster ride that never fails to get your adrenaline pumping! π¬π₯ From the intense chemistry between Bruce Willis and Samuel L. Jackson to the heart-pounding action sequences and clever plot twists, this film delivers non-stop entertainment from start to finish. With a perfect blend of suspense, humor, and edge-of-your-seat moments, it's no wonder this installment is a fan-favorite in the Die Hard franchise. So grab some popcorn, buckle up, and get ready for a thrilling joyride that will leave you wanting more!" πΏπ #DieHard #ActionMovies #BruceWillis #SamuelLJackson #ClassicFilms
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