In
a segment similar in structure to “Ice,” The X-Files episode “Darkness Falls”
finds Mulder and Scully in an isolated location (this time an impenetrable
forest a full day’s hike from civilization…) battling a microscopic life-form
from prehistory with the capacity to destroy mankind if it spreads to the world
at large.
The
factor that meaningfully differentiates “Darkness Falls” from “Ice,” however, is
the episode’s context or background. In “Ice”
the F.B.I. agents had to contend with an infectious parasite inside a remote Arctic
base. Trust was hard to come-by because
nobody knew who was already infected by the tiny creatures. In other words, the alien life form had changed the nature of man in some
insidious fashion
In
“Darkness Falls,” by contrast, Mulder and Scully must deal with two factions
already at “war” in Scully’s explicit terminology, and thus unable to show
trust, empathy, or even decency towards one another…and for entirely human reasons or ideology.
The
specific forces in conflict are an avaricious logging company (acting illegally)
and so-called “eco-terrorists” or radical environmentalists, who also behave in
an illegal fashion. And indeed, the
early 1990s saw a new public awareness of environmental issues roiling in the
Zeitgeist. Running (unsuccessfully) for re-election, President Bush had
disparagingly termed Vice-Presidential candidate Al Gore “Ozone Man,” thus
implicitly raising the issue that environmental awareness and protection
actually impeded economic growth. And
since America was experiencing a recession, this debate about the environment
was newly relevant.
Accordingly,
that is the very dynamic explored in “Darkness Falls,” the battle between
commerce and environmental stewardship.
Impressively,
“Darkness Falls” treats both sides and their arguments even-handedly, in much
the same fashion the series diagrams the two sides of the belief/skepticism
debate or “lens” of perspective we see via Mulder and Scully. Importantly, both the company representatives
and the radical environments pay the price for their legal and moral
trespasses, a fact which suggests a kind of “pox on both their houses” approach
to the material. Any agenda -- corporate
or environmental – when taken to murderous extremes, is undesirable.
Beyond
the background debate about the environment and how best to care for it, “Darkness
Falls” proves almost unbearably suspenseful as the prehistoric, photo-sensitive,
luminescent bugs threaten to engulf a small cabin while the last bit of power inside
dwindles irrevocably away. Use of close-ups and insert shots go a long way
towards escalating the tension and augmenting the feelings of isolation.
Commendably,
the episode doesn’t present Mulder and Scully with a clean escape from this
menace, either. They survive their “nice trip in the forest” (to quote
Mulder) but only with hundreds of red “bites” all over their bodies, not to
mention a stay in a government ICU.
I’ve
written in these retrospectives before about the use of the forest as a central location in the horror genre
history (from the works of Nathaniel Hawthorne to David Lynch’s Twin
Peaks), and “Darkness Falls” is very much a nature’s revenge brand of horror story, merely updated for the 1990s. Here, mankind has trespassed too far (as he
does again in another stand-out X-Files episode, “Detour”) and he
disturbs the balance of nature in the process.
Mulder
(David Duchovny) and Scully (Gillian Anderson) head to Olympic National Forest
in the Pacific Northwest to investigate the disappearance of a team of
loggers. Mulder suspects something
out-of-the-ordinary is responsible for their vanishing, but a forest ranger,
Larry Moore (Jason Beghe) reports on the persistent conflict between a logging
company and eco-terrorists known as “monkey-wrenchers.”
Upon
arrival, Scully and Mulder find members of the logging team cocooned in large
webs, their bodies drained entirely of fluids.
The leader of the monkey-wrenchers, Doug Spinney (Titus Welliver) warns that
the loggers, by illegally cutting down old growth trees, have released an
ancient variety of carnivorous wood-mite.
The
insects strike only by night, and are fearful of light. But Mulder and Scully only have enough
gasoline to run their cabin’s power generator for a few more hours. If the lights go out, the murderous swarm
will descend…
One
aspect of “Darkness Falls” which I admire is its “basis in fact” conception. In particular, the episode suggests that the
1980 eruption of Mount St. Helens disturbed or altered the life-cycles of local
wildlife. This is all good in theory,
but mimicking the horror approach of Jaws (1975), and its famous story about
the Indianapolis in shark-infested water, this episode delves into a true life
story that terrifies.
In
particular, Mulder and Spinney discuss a “brain sucking amoeba” in Washington’s
Silver Lake. That amoeba, Naegleria fowleri, enters the body through
the human nose, tunnels through the skull, and then consumes brain tissue….until
you die.
And
this monstrosity is not, alas, a work of fiction. In fact, this amoeba is responsible for a
handful of deaths in America every year, in mostly the South and West regions
of the country. The story of Silver Lake
and Naegleria fowleri, however, lends
credence and legitimacy to the material presented in “Darkness Falls.” A story about carnivorous wood-mites eating
burly loggers might sound ridiculous on first blush, but then so do
brain-eating amoebae, at least until you know the unbelievably horrific details.
Intriguingly,
“Darkness Falls” doesn’t appear to position the bugs as malevolent entities. They aren’t malicious or hostile, in a sense.
The wood mites cocoon and eat human beings, draining their bodies of fluid,
because to do so is part of their life-cycle.
Contrarily,
it is the short-sighted humans in the episode who are, ultimately, responsible
for all the deaths that occur. The
logging company is the agent that brought the bugs out of their long
hibernation, by illegally and wantonly cutting down “old growth” trees. They have, essentially, opened Pandora’s Box. And all because it is more convenient for the
capitalists to move one “big” tree out of the woods than many small trees. Economic concerns, in this case, cause an environmental
disaster.
Similarly,
the eco-terrorists or radical environmentalists threaten everyone’s safety (and
indeed, survival…) by spiking roads and committing other acts of sabotage. There is much talk in the episode of “irony”
and “shooting oneself in the foot.” The latter is notion that -- through his
own destructive behavior -- man actually assures only his own extinction.
Once
you get to that reckoning in “Darkness Falls” -- of man engineering his own
destruction – it isn’t difficult to interpret the episode as a commentary on
the environment and our stewardship of it.
It won’t be the environment that leads to our extinction, but our own misuse or exploitation of the
environment that causes it to turn against us.
“Darkness
Falls” is a great “horror” episode of The X-Files, and as such it creates
a strong atmosphere of
terror and suspense.
Director Joe Napolitano’s camera circles, in extreme close-up, the cabin’s
power generator on at least two occasions.
This device, this example of modern technology (and thus man’s
ingenuity), is the only firewall that stands between survival and death for
Mulder, Scully, and the others.
Similarly,
the single light-bulb dangling from a ceiling string is prominent in several
shots, flickering and winking out. In fact, the single-most anxiety-provoking
shot in the entire episode doesn’t involve the bugs swarming and attacking
their prey. Instead, it involves a
panicked Scully -- fearing the bugs are on her body -- accidentally striking the
swinging light-bulb. In that moment of
hysteria, it looks like she will break the bulb and destroy her only chance of
survival. The episode’s focused direction
establishes beautifully how this bulb is the only life line inside that cabin…and
once it is gone, it’s game over.
Also
impactful and effective is “Darkness Falls”’ final sequence, which finds the
cabin’s survivors racing down the mountainside in hopes of outrunning the sun
as it sets. Television is a medium for
the masses (or at least it was at the time of The X-Files in the
1990s), but “Darkness Falls” keeps going further and further here, quite
unexpectedly, quite unconventionally.
First Scully and Mulder escape the mountain in a jeep driven by
Spinney. Then the jeep is damaged by the
road spikes. And then the bugs swarm in
to eat their final feast….our trapped protagonists. These moments possess a kind of relentless
drive, and realization dawns on the viewer that -- shockingly -- our heroes are
not going to emerge unscathed.
Overall,
“Darkness Falls” is my favorite type of X-Files story. It features a frightening monster-of-the-week
grounded in scientific reality, features a background story about (short-sighted)
human nature, and most importantly, powerfully forges a horrific and
unforgettable finale. Also, I would be remiss if I didn't mention the powerful location photography which renders the entire story tremendous validity from a visual standpoint. We see Scully and Mulder and the others walking through a vast area of cut down trees, and the image is both very real, and very disturbing. If the episode
possesses any sort of drawback at all, it is only that the Scully and Mulder
relationship doesn’t develop beyond its existing parameters here.
Next
week, we cap off Season One of The X-Files with “The Erlenmeyer
Flask.”
I think this episode nicely mirrors Ice in terms of how the two main characters react to their predicament. In Ice, it is Scully who acts as mediator and bridges the gap between the warring factions, while Mulder momentarily feels betrayed as a result (his unnecessary confinement). In Darkness Falls, the reverse happens, with Scully feeling betrayed after Mulder gave the last of the gasoline to Spinney.
ReplyDeleteAs well as the obvious ecological message, both these episodes together seem to preach co-operation as a means of salvation. I think giving both main characters the opportunity to save the day through co-operation, despite the initial misgivings of the other, illustrates how effective they are as a team.
This is another of my favorite episodes of the season. While I think "Ice" was more effective all the way around, I really love the location shooting and the camera work in this episode. Re-watching Season 1, I'm constantly amazed at how many great episodes there were. Was there ever another television series that not only had a solid pilot, but so many top notch episodes?
ReplyDeleteThumbs up John.
ReplyDeleteGreat little story from Season One. One of my favorites behind Beyond The Sea. I give the edge to this one over Ice for me personally.
Season Two's Firewalker shares much in common with Ice and Darkness Falls and even gets into much of the volcanic discussion you suggest here too. I was actually surprised to see Firewalker notes as one of the worst of The X-Files in Sci-FiNow. It certainly wasn't nearly as bad as Space and to be honest, The X-Files really don't have much in the way of bad on offering.
Additionally, your point about activist groups and how they play within The X-Files stories is always relevant. A recent viewing of Fearful Symmetry from Season Two taps into this idea with animal rights activists making many of these same arguments from that perspective.
Once again, you place this one within the framing of the horror genre with your typically sharp analysis. The dimming light concept is always a good one and it was certainly one of the best aspects of the later film Pitch Black.
The Pacific Northwest takes a lot of heat for filming many of these science fiction stories, but The X-Files, more than most, because it is so grounded in reality seems to be the most effective at making use of these locations. So, I couldn't agree more that the use of lighting in the show in these exterior forest locations is genuinely thrilling.
Finally, like Fringe, The X-Files often had its foundations in genuine medical and scientific contexts. Your points about the amoeba are great. In fact, that nasty little microorganism has had some reasonably good success in recent days particularly with the proliferation of the nasal filtration systems. Scary to think they have found access to the human body to be even easier.
It's a war out there and it's getting scarier.
all the best
sff
And Roman I recommend Fringe for a solid first season. I know John wouldn't necessarily agree, but Fringe just gets better and better and is probably playing within the same kinds of sci-fi realities as The X-Files in particular within its first season. I love Falling Skies too, but that's like comparing apples to oranges I suppose. Have a great weekend all.