award-winning creator of Enter The House Between and author of 32 books including Horror Films FAQ (2013), Horror Films of the 1990s (2011), Horror Films of the 1980s (2007), TV Year (2007), The Rock and Roll Film Encyclopedia (2007), Mercy in Her Eyes: The Films of Mira Nair (2006),, Best in Show: The Films of Christopher Guest and Company (2004), The Unseen Force: The Films of Sam Raimi (2004), An Askew View: The Films of Kevin Smith (2002), The Encyclopedia of Superheroes on Film & Television (2004), Exploring Space:1999 (1997), An Analytical Guide to TV's Battlestar Galactica (1998), Terror Television (2001), Space:1999 - The Forsaken (2003) and Horror Films of the 1970s (2002).
As difficult as it is to believe, 2024 marks the 40 th anniversary of Wes Craven’s A Nightmare on Elm Street (1984), the horror film that...
I have always loved how the Filmation's artists rendered the Enterprise. Rather than the matte finish of the original TV show, the animated Enterprise had a more metallic appearance. It certainly anticipated the finish of the Enterprise in the movie series.
ReplyDeleteFilmation also did a great job finding angles to show off the ship at her best. I remember Ken Ralston (an ILM effects artist for ST:TWOK) stated that the movie version of the Enterprise only had one or two good angles on it. I suspect that the slender profile of the movie version engines did not read well at certain angles. The original series's tubular engines had mass no matter what angle they were photographed at.
Finally, despite all the beautiful detail work of the movie Enterprise, it always seemed smaller than the TV version. Perhaps it's just nostalgia but the TV version felt more massive to me and angles such as the one shown here really emphasized the size of the ship.