I referred to this cliché as “the breast part of the movie” in my books Horror Films of the 1980s and Horror Films of the 1990s.
And yes, this element of the horror lexicon is
proof-positive that the horror genre is not always high-minded or intellectual. Sometimes the form appeals to more basic instincts; Sometimes,
the first mission of horror is to exploit a fear or desire, and it’s foolish to
deny that this is the case.
But
absolutely without a doubt, the most common shot in all-of-the 1980s horror
cinema involves a young female taking off her blouse and bra for the camera. It’s almost a rite-of-passage for a prospective
“Scream Queen” of that era.
But why, you ask?
Some
critics might inform you that the numerous instances of female nudity in genre films arose because we
live in a sexist culture, and because young men – the dominant audience for horror films back in the 1980s -- wanted
to see it. Newsflash: men like looking at naked, attractive females. Women like seeing men too, but in the 1980s, it was mostly men making and green-lighting horror films.
Others
might point more directly to the specific conventions of the slasher sub-genre. And the slasher format is a deeply conservative form of horror concerning the
draconian price people pay when they step outside of moral and social traditions.
In
particular, “The Vice Precedes Slice-and-Dice” trope requires teens to act
badly before being killed by Jason or his ilk, and pre-marital sex is, of
course, a big no-no. The “Breast Part of
the Movie” or “Thanks for the Mammaries” convention is part-and-parcel of that
dynamic. The shirts come off, the sinnin’
begins…and then the killer shows up with a machete to put an end to all the
fun. Some may see this as sexist, but generally both participants in the sex-act get killed simultaneously, so I'm not sure that's the case.
Today,
the horror genre – which attracts a wider
female audience – has backed off quite a bit from the heyday of this cliché
in the 1980s. The genre has admirably focused instead on showcasing “final
girls” as intelligent, resourceful, courageous heroes. Even recent, tawdry fare such as Shark
Night (2012) eschewed the Breast Part of the Movie cliché. The trope was also mocked and satirized – and
treated as a tease -- in Kevin Williamson’s Scream (1996).
At
its most respectable, the trope actually can boast some iota of social value,
as it did in Sam Peckinpah’s Straw Dogs (1971). There, in the early 1970s age of “bra burning,” there was
a question about the line of responsibility and where was it drawn. When lines of traditional behavior were
breached, how would the “old” guard react to new freedom?
By
contrast, one of the most exploitative examples of this convention occurs in Howling
II: Your Sister is a Werewolf (1986), which during its final, end-credits montage
features seventeen views of Sybil Danning ripping open her shirt and revealing
her…chest. Another movie that took the
trope to absurd new heights was Jim Wynorski’s vaseline-colored The Haunting of Morella
(1990).
You’ll
notice that, aside from this cliché, these two films don’t really have much going
for them in terms of quality.
I
don’t know that I need to write anything else about this particular convention
in the horror lexicon, and please forgive the illustrations for being
PG rated. But I don’t want my blog to be mistaken for an adult site. I already get linked to far too often on Russian porn sites (don't ask).
So…just use your imagination.
Here
is a (very) partial list of “the Breast Part of the Movie” appearances in
Horror Films
Straw
Dogs (1971),
Halloween
(1978), Phantasm (1979), Altered States (1980), The
Children (1980), Dressed to Kill (1980), Home
Sweet Home (1980) Humanoids from the Deep (1980), Maniac
(1980), Mother’s Day (1980), New Year’s Evil (1980), Night
School (1980), Nightmare City (1980), The
Silent Scream (1980), Terror Train (1980), American
Werewolf in London (1981), Dead and Buried (1981), The
Dorm that Dripped Blood (1981), Final Exam (1981), Friday
the 13th Part II (1981), Ghost Story (1981), Graduation
Day (1981), Halloween II
(1981), The Howling (1981), The Boogens (1982), The
Burning (1982), Evilspeak (1982), Humongous
(1982), Madman (1982), Curtains (1983), The
Evil Dead (1983), Mortuary (1983), Night Warning (1983), Pieces
(1983), The Black Room (1984), Crimes of Passion (1984), The
Initiation (1984), The Prey (1984), Biohazard
(1984), Friday the 13th: A New Beginning (1985), Fright
Night (1985), Though Shalt Not Kill…Except (1985),
Lifeforce
(1985), From Beyond (1986), Howling II (1986), Psycho
3 (1985), Slaughter High (1986), Vamp (1986), Witchboard (1986), Angel
Heart (1986), Hello Mary Lou: Prom Night 2 (1987),
Slumber
Party Massacre 2 (1987), Night of the Demons (1988), Sleepaway
Camp II: Unhappy Campers (1988), Edge of Sanity (1989), 976-Evil
(1989), Out of the Dark (1989), Society (1989), Baby Blood (1990), Demonia
(1990),
The Haunting of Morella (1990), Luther the Geek (1990), Maniac
Cop 2 (1990), Highway to Hell (1992), Prom
Night IV: Deliver Us from Evil (1992), Jason Goes to Hell
(1993), Phantasm III: Lord of the Dead (1993) Leprechaun 2 (1994), Embrace
of the Vampire (1995), Lord of Illusions (1995), Tales
from the Crypt: Demon Knight (1995), Bad Moon (1996), Cemetery
Man (1996), The Ugly (1998), Disturbing Behavior (1998), The
House on Haunted Hill (1999), The Ninth Gate (1999), Friday
the 13th (2009).
"Not that there's anything wrong with that" ;-)
ReplyDeleteFine post, John.