In
“Hideout,” Star Maidens (1976) takes us back to Earth for the first time
in a few episodes. Adam (Pierre Brice)
and Shem (Gareth Thomas) are still on the run from Fulvia (Judy Geeson), and
Earth’s police hunt them down.
Adam
and Shem hide in an apartment complex, but Adam is captured by authorities.
This leaves Shem to befriend a lonely woman, Rose (Corny Collins), who has just
suffered a break up with her boyfriend.
Shem heals Rose, providing an example of what a loving, supportive man
can be like.
Rose, in turn, hides Shem
from the authorities, demonstrating her love and affection for him.
When
Rose is nearly killed by going down a waterfall at a local park, Shem risks
exposure to save her life. The police capture him and bring him to the angry
Fulvia. But Shem and Rose have shared something beautiful, despite the
relationship’s outcome.
I
was set, at the start of “Hideout” to slag the episode as a champion
time-waster, a return to the early slapstick car chases and “run around” shows
at the start of the season. But, as “Hideout” went on and the narrative
developed, I began to see how it might function as one of the best episodes,
actually, of Star Maidens.
Overall,
this cult series functions by showing us mirror dysfunctional images. We see a
human male and female from Earth try to contend with Medusa’s matriarchy, in
some episodes, specifically those featuring Liz and Rudy. And then we see a Medusan woman and man,
Fulvia and Adam, deal with Earth’s patriarchy in the episodes set here, on our
planet.
Both
worlds and both situations are imperfect. In fact, both are highly imperfect. “Hideout” therefore
functions as this little grace note, this little “carve out,” if you will, of
what a strong male/female relationship could look like, on either planet.
In
particular, Shem treats Rose with respect, loyalty and love. He helps her
endure during the times she is weak, and he helps her to be strong. Rose
responds in kind, housing Shem, trusting Shem, and choosing to help him when
she could simply turn him in to the authorities. They develop a perfect
symbiosis.
If
you look at the relationship, it is clearly one of give and take, not of set-in-stone
matriarchy or patriarchy. Shem and Rose independently take the lead in the
relationship when there is a void to be filled; but they do so to heal and fill
the deficits of their opposite number. The Shem/Rose relationship is perhaps the only positive male/female
relationship we witness in the entirety of Star Maidens.
This
fact makes “Hideout” of great significance. There is so much political, sex role maneuvering in the series, between
Fulvia and Adam, even on Medusa between Rudy and Octavia. There is absolutely
none of that here. This story is simply
about two people attempting to be together in a world that is out to destroy
them, and their love.
This
story features almost no science fiction trappings, but it doesn’t matter. “Hideout”
is the episode about the fact that men and women can get along. In a series
about the war between the sexes, the commentary it offers is vital.
Next
week: “Creatures of the Mind.”
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