In
“The End of Time,” Octavia (Christiane Kruger) returns to Medusa with Professor
Evans (Derek Farr), so he can help negotiate a hostage swap. Once Fulvia and
Adam return to Medusa, Liz (Lisa Harrow) and Rudy Schmidt (Christian Quadflieg)
can return to Terra.
Unfortunately,
something strange has happened on Medusa. All the women have vanished, the men
are tranquilized, asleep in their dormitories, and the vast city is
abandoned. The only other people awake
and in the metropolis are Liz and Rudy, who are trying to determine what has
occurred.
And
what has occurred?
Apparently, “The End
of Time.” As Liz, Evans and Rudy learn,
the Medusan people mark time by the life and death of their presidents. Time (symbolically stops for the culture when a president dies, and it does not resume until a new president
is selected. President Clara (Dawn
Addams) appears to be dead.
Worse,
since Liz was awake during her death, she is accused of being a presidential assassin
and exiled to the inhospitable surface of Medusa.
Upon
closer inspection of Clara, however, Evans realizes she is not dead, only the
victim of a bacteriological infection, a condition that the Medusans have no
familiarity with, because they long ago conquered disease. He suggests
antibiotics.
When
Clara recovers, time is allowed to resume in the city, and Rudy rescues Liz from the
surface. Evans returns home, having failed his hostage mission, but having
saved a life.
“The
End of Time” is another very intriguing episode of Star Maidens (1976), since
much is learned about Medusa, and its customs and history.
For instance, it is
reported, at one point that men are put to sleep during the death of a
President (the so-called period known as “The End of Time”) so that they do not
launch an uprising or attempt to gain control of the planet. Apparently, at one
point in Medusan history, a man did lead the planet, and was an unmitigated
disaster as a leader. The technology to
tranquilize men is called a “hypnomat.”
We
also learn, of course, about “The End of Time” ritual, the stopping of all life
on the planet, since a president has died. Time only resumes, in the eyes of
Medusa, when a new matriarch rises. Without leadership, without control, Medusa
itself seems to die, or at least hibernate. I wonder how this would work if the planet were at war, or in crisis.
There
are two other observations worth making at this juncture (episode ten of
thirteen). The first is that the writers absolutely seem to prefer dealing with
the “Medusa” story, rather than the “Earth” story, where Fulvia and Adam are
suspiciously circling another. The
series boasts a schizophrenic feel because the Medusa stories are presented as
straight-up science fiction tales in a futuristic setting, whereas the Earth
story is campy, romantic, and at times, blisteringly caustic.
The last two stories set on Medusa (“The End
of Time” and “What Have They Done with the Rain?”) feature strong, mysterious
science fiction elements, and social commentary too. “What Have They Done with the
Rain?” is about the way that human beings and destroy the environment, and turn
a blind eye to the cause of inimical changes.
“The End of Time” commences as an “Empty
City”-type story (think: Star Trek’s “Mark of Gideon” or Space:1999’s
“One Moment of Humanity”) but then evolves into a meditation on the idea that
sometimes an advanced civilization cannot deal with a “primitive” problem, like
a bodily infection. The Medusans so long
ago conquered illness, that even the creepy robot doctor is not able to
diagnose Clara’s “death.”
The
point I am making here is that Star Maidens has a reputation, among
those who have seen it, as a “campy” 1970’s science fiction series. That
description is apt, but only for the Fulvia/Adam episodes set on Earth. The episodes on Medusa grapple, ambitiously -- and seriously -- with genre concepts, tropes, and commentary.
The
second point I’m going to make here involves the thematic underpinnings of the
series. As was the case in last week’s story, this tale focuses on the idea
that the women of Medusa can’t help themselves.
In “What Have They Done with
the Rain?” Rudy -- a man – saved the planet from its own environmental
short-sightedness. In “The End of Time,” a different man -- Professor Evans --
saves the women of the planet by proving that President Clara is sick, but not
dead, and that, therefore, Liz is not an assassin.
When
you boil it down, the idea in both stories is that only men can lead, or come
up with answers, and that the matriarchy of Medusa would be doomed without
them.
This very concept betrays the
thematic thrust established early in the series, that Earth and Medusa are
mirror images of one another, and that both are locked in nonsensical
prejudices about which gender is superior.
At this juncture, it’s clear that the series seems to suggest men are better capable of leading, or at least solving problems. We have yet to see a
story in which the Earth is doomed, because of the short-sighted behavior we have
seen in these two episodes, and only a Medusan woman can save it.
Next
up on Star Maidens: a return to Earth in “Hideout.”
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