In
“My Friend, Mr. Nobody,” Penny (Angela Cartwright) unexpectedly makes an alien
friend in a cave. This cave manifests,
at first, as just as a voice, but soon is able to demonstrate strange and
fearsome powers.
Penny
attempts to convince her family that Mr. Nobody is real, and a million-year-old
life-form, as he claims but she is ignored and disbelieved by the other
Robinsons, who are busy improving their settlement.
When
Dr. Smith (Jonathan Harris) learns that there are diamonds in Mr. Nobody’s
cave, he becomes determined to drill there, with no worry whatsoever about the
well-being of Penny’s friend…
“My
Friend, Mr. Nobody” is a magical episode of Lost in Space (1965 –
1968), a story of both great empathy (for Penny) and remarkable
imagination.
"My Friend, Mr. Nobody" takes the familiar “imaginary friend”
trope (later featured, less imaginatively, on Star Trek: The Next Generation as “Imaginary
Friend,”) and transforms it into a story about loneliness, friendship, and purpose.
In
particular, the story’s main character, Penny, is at loose ends. Her mother is busy working at the Jupiter 2.
Her father and Don are busy with the laser drill. Even Will is too busy to play with her.
So Penny must spend her days alone, without
attention, feeling unloved and unimportant. But before long, she encounters this “friend” in the dark cave, a friend
who values her, and talks to her about things that matter. They
speak of “death” and what it means (‘when someone can’t speak anymore, or move
anymore”) and become fast-friends, dedicated to each other’s well-being. Penny realizes, through her conversations with Mr. Nobody that her thoughts and words matter; that they make a difference.
There
are moments in “My Friend, Mr. Nobody” that ring very true in terms of earthbound childhood too. For example, Penny feels hurt when the person she trusts the most, her mother,
fails to believe her story of Mr. Nobody.
Of all the people who should believe her, it is Mom. When Penny catches her mother humoring her, treating her as just a "kid," the moment represents an unwelcome entrance into the grown up world of awareness.
Dr.
Smith -- who says “oh, the pain; the pain” for the first time in this episode -- is pretty despicable here too. He attempts
to trick Penny by pretending to be the voice of Mr. Nobody. And then, later,
his attempt to acquire diamonds means, essentially, the murder of this
imaginary friend. Penny's lesson here is that many adults treat friendship as secondary, and wealth as primary. Penny's friendship means nothing to Dr. Smith if he has a chance to get rich.
The
episode ends, finally, with Mr. Nobody facing off against the robot, evolving, heading off to the stars to
his next stage of existence, but no doubt carrying his friendship
with Penny with him to that destination.
It’s a nice note to go out on, and one that suggests that a child's
friendship is not an unimportant, or insignificant thing. Everyone treats Penny like she is a dumb kid,
but she proves a crucial part of Mr. Nobody’s maturation process. She alone helps him grow. She alone can understand that he is not a monster. The adults, in this case, are dead wrong.
“My
Friend, Mr. Nobody” is one of the very best episodes of Lost in Space episodes
because it serves well an under-utilized character, Penny, and does a remarkably
thoughtful job of imagining what her life must be like, always playing second
fiddle to Will.
But
more than that, the episode finds that there is inherent value in the friendship of a
child. Spending time with your children is not a waste of time, not a lark. It is something, instead, that matters. This episode plays like a space age fairy tale, replete with darkness
and fear, but also with a happy ending that validates a child’s sense of
wonder, and his or her sense of self, as well.
Next week: "Invaders from the Fifth Dimension."
The episode of Lost in Space. Excuse me, THE EPISODE of Lost in Space. Season 1 was so far superior to what came next. What started off a great show would soon devolve into the highly annoying antics of Dr. Smith, with Will and the Robot along for the ride. But if you are a campy Lost in Space hater like I am, you have the wonderful first season to remember, and this beautiful story in particular. Penny is for for me, a far more interesting character than the ones the writers got obsessed with, and this is her finest hour. I always wanted a reunion between an older Penny and a more evolved Mr. Nobody. Regrettably it was too sensitive and grown up idea for what it devolved into. A pity. Lost in Space could have been a truly great science fiction series had it followed this heart tugging story's lead.
ReplyDeleteThe Penny centric episodes are well done, and are some of the best moments in the series even in seasons two and three. The limbo between adolescence and adulthood is portrayed well (by scrubbed up 60's television standards anyway) where wanting to be an adult is at odds with the childhood idealism of fairy tales. When given the opportunity, the writers were really able shine in these episodes.
ReplyDeleteAbsolutely my choice for the best "Lost in Space" episode ever, and one of the best episodes of any sci-fi series period. I'd put it right up there with "Metamorphosis" from Star Trek". Also of note is the masterful, delicate, impressionistic score by John Williams.
ReplyDeleteI agree with the comment above, the Penny episodes tend to be among the best. Angela Cartwright was a fine young actress and both her and her character were sadly underutilized. Part of what makes "Lost in Space" so frustrating is that episodes like this prove if the writers/producers had just put some creative effort into this series it could have been something truly special.