In
“Thoren the Slave Master,” an alien arrives at New Texas, in search of slaves
from the local population. The bandit Tex Hex obliges, plotting to capture
Prairie People for Thoren, all in exchange for a missile weapon that could
destroy Fort Kerium.
Soon,
however, the tables are turned on Tex Hex. Thoren miniaturizes not only the
Prairie People for easy transport back to his home planet, but Tex Hex as well.
Then, so his prisoners can’t escape, Thoren holds the miniaturized captives in
tiny cages.
BraveStarr
attempts to rescue the Prairie People, but is captured and miniaturized
himself. Now he and Tex Hex must work
together to stop Thoren’s scheme…
This
episode of BraveStarr is an example of our old friend (and narrative
trope): My Enemy, My ally.
In
stories of this nature, protagonists and antagonists must work together to
conquer a common threat, putting all differences aside…at least for a
while. The same story was called
“Survival” on Gerry Anderson’s UFO (1970), “The Trap” on Planet
of the Apes (1974), and “The Enemy” on Star Trek: The Next Generation
(1987 – 1994).
Here,
BraveStarr states the obvious conclusion – “We
work together, or we don’t get out” -- and even Tex Hex can’t help but see
the logic of his argument.
The
episode’s final message is one well in line with the My Enemy/My ally Trope:
follow “The Golden Rule” and do unto others as you would have done to you.
Beyond
this trope, “Thoren the Slave Master” treads into ethnic stereotypes with its
depiction of the slave-driver. Thoren is
dressed exactly like an Arabian character from Aladdin, drawing a direct
line from Arab culture to slavery. The series is essentially an Old West story
set in space, so it might have been better to draw on the experience of Chinese
immigrants working on the railroad in the American West, or something of that
nature.
Another,
final, observation: Thoren’s evil robots look to me like steroidal versions of Mystery
Science Theater’s (1989 – 1999) Tom Servo, right down to the beak and
the shape of the head...
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