Saturday Morning Cult-TV Blogging: Big John, Little John (1976)

Big John, Little John (1976) is a short-lived, live-action Saturday morning series from Lloyd and Sherwood Schwartz (1916-2011). 

Sherwood, as you may recall, is the creator of Gilligan’s Island (1964-1967), It’s About Time (1966-1967), and The Brady Bunch (1969-1974).  

This series ran for just one season -- and thirteen half-hour episodes -- on NBC and concerned science teacher John Martin (Herb Edelman) of Madison Junior High School. 

On vacation at Ponce De Leon Park with his wife, Marjorie (Joyce Bulifant) and son Ricky (Mike Darnell), John drinks from the Fountain of Youth and it changes his life.  Before long, his body begins to undergo a transformation.

Now John randomly goes from being forty years old to just twelve, and then back again.  Unfortunately, the “change can happen anywhere, anytime,” especially when John “doesn’t expect it.”

In the first episode, “a Sizeable Problem” John undergoes the transformation for the first time, and becomes twelve years old (and played by Robbie Rist) just as he must interview for the position of head of the science department at his school. 

John tells his wife and son what is going on, and they help to keep his secret.  In age twelve mode, John says he is Martin’s nephew, John, someone who is staying with the family.  This lie is accepted by virtually everyone.

Meanwhile, John’s perpetual nemesis in Big John, Little John is Mrs. Bertha Bottomly (Olive Dunbar), the stern school principal who is always in danger of learning his secret and firing him.

For its thirteen episode run, Big John, Little John treads all-to-familiar sitcom material, as John must navigate his random transformations and not get caught by the school authorities. 

One episode, “Peter Panic” sees Mrs. Bottomly cast Big John as Captain Hook and Little John as Peter in a school play of Peter Pan. Now he must be in two places at the same time!

Another story, “Very Little John” involves a case of mistaken identity.  Big John believes that he can “dilute” the aging transformation by drinking excessive amounts of water (!) and thus remain an adult.  He conducts this experiment in dilution when Marjorie and Rick are away from home.  While they are gone, however he agrees to take care of a neighbor’s baby.  So when Marjorie and Rick return, they mistake the infant for Little John, and believe that the dilution has changed him into a one year old.

As you may suspect, the jokes in Big John, Little John are pretty lame most of the time, and common sense is in short supply among the characters. 

For example, it is never really explained why John can’t notify authorities (particularly scientific authorities) about his physical situation, and allow them to witness the transformation for themselves.  He could become the world’s most famous and perhaps richest man.

Similarly, John never shares with other scientists the location of the Fountain of Youth, even though young and old alike could benefit from its effects.

Instead, Big John, Little John is all about its formula -- John suddenly finding himself in awkward situations as either an incongruously placed child or an adult -- and that formula is hammered home relentlessly.

Today, the Sherwood brand of sitcom this series represents is pretty much completely dead, so Big John, Little John feels like a relic from not just a different time, but a different culture all together. 

In fact, the series seems frozen in amber, like the mosquitoes of Jurassic Park.  Big John, Little John repeats the same formula again and again, telling the same story as the characters fail to grow or learn, week-to-week.

I have vivid memories of watching Big John, Little John in 1976, when I was six years old.  At the same time, I remember not liking it terribly much, and yet feeling compelled to watch it because there was, essentially, nothing else on TV…and Saturday morning TV was an important ritual for kids in those days. 

Today, you can satisfy your hunger for Big John, Little John 1976 nostalgia with a look at the introductory theme song/montage, embedded below.  This sequence I remember very well, particularly the images of John Martin drinking from the Fountain of Youth.  Also, this title sequence depicts John going from age forty to thirty-three, to twenty-five, to nineteen, to twelve.  But only the 40 year old and 12 year old John are ever featured in the actual stories.

Next week, I start a blogging retrospective of Filmation’s BraveStarr (1987-1988), an early space western.