The
press is now reporting that Hollywood screenwriter Lorenzo Semple Jr. (1923 –
2014) has passed away of natural causes at the age of 91.
If
you grew up in the late-1970s and early 1980s -- and read the genre magazines --
you probably remember Mr. Semple’s name.
Although
the older generation of fans at that time remained highly critical of his work
throughout his life, Mr. Semple wrote many cinematic touchstones of my
generation, including King Kong (1976), Flash
Gordon (1980) and Never Say Never Again (1983).
I
admire all three of those films (and have written reviews of them on the blog…)
but King
Kong and Flash Gordon were controversial upon release, especially with purists who apparently
didn’t like the films’ self-awareness or touches of humor.
The
biggest source of controversy regarding Mr. Semple, of course, involved his
1966 TV adaptation of Batman (1966 – 1969), in which “camp”
was a major factor.
Long-time
fans of Batman comics disliked the series' jokey approach, though again, my
generation grew up with that Adam West series and many folks love it to this
day. I know that I still get a kick out of
the Dozier series’ dynamic colors, the amazing Batcave set, the Batmobile, and
the roster of celebrity “villains,” which included Julie Newmar, Vincent Price,
Maurice Evans, Roddy McDowall, Fank Gorshin, Cesar Romero, and more.
Sure,
the series doesn’t take Batman entire seriously, but the glorious
thing about the TV series is that it worked on two levels. For kids, the series
was entirely serious, because the
children didn’t pick up on the campy humor. Yet adults could enjoy the series
specifically for its sense of humor.
Frankly,
after a decade of angst-ridden, humorless, mega-expensive superhero films, it’s
nice to watch an episode or two of the 1960s these days and experience a work
of pop art that actually operates intellectually on different levels. And in a
sense, the Batman series was very faithful to the 1950s-early-1960s Batman
comics.
Outside
the genre, Mr. Semple’s work was generally far more warmly received.
Mr.
Semple wrote one of my favorite films of the late 1960s, Pretty Poison (1968), as
well as such highly-regarded efforts as Papillon (1973), The
Parallax View (1974), and Three Days of the Condor (1978). In 1984, he wrote Sheena: Queen of the Jungle,
a film which unlike King Kong or Flash Gordon hasn’t undergone a
critical re-evaluation, and is not likely to, either.
At
Mr. Semple’s passing, I would like to convey my condolences to his family, but
also my sincerest thanks and appreciation for giving my generation so many
unforgettable movies.
Mr. Semple gave the world the return of Sean Connery as
007 after more than a decade away, a version of King Kong featuring social commentary (about the Energy Crisis
of the 1970s), and what remains to this day the definitive Flash Gordon adaptation.
Mr. Semple's words and ideas were a major part of my youth and will always remain a part of me. He will be greatly missed, but he lives on in those audiences his work touched.
That's a pretty varied career. I probably favor his more serious output like Papillion and The Parallax View, although I was entertained by the King Kong remake and some of the others. I remember enjoying the Batman series back in the day. It was a staple in our house, although it's a bit tough to watch today unless I'm in the mood. I'll have to check out Pretty Poison, I'd never heard of that one.
ReplyDeleteGive me the Semple version of Kong over Jackson's anyday, his Batman is the definitive one for me, and I love Flash!
ReplyDeleteNice shout out to "Pretty Poison," a terrific little movie--and of course "Flash Gordon," whose style and subversive humor were much more in line with my teenage sensibilities than "Star Wars." I was a big fan of Semple Jr. pretty much across the board, even if I didn't respond to every one of his movies. He was a smart cookie who could write a well-crafted genre picture without taking the genre itself super-seriously. Like Joss Whedon, he knew when to be silly and when to be serious...though he definitely took the superhero genre less seriously than Whedon. Recently he did a YouTube film review series that showed him to be witty and perceptive well into his later years. A good life.
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