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Foremost among these, our web-page has been re-designed and looks gorgeous. The new site features links to Season One episodes, but also to a new section of h
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This is from Rick Coulter's interview. He's my DP and Sociology expert:
RICK: "...THB is about earth and the humans that occupy it, but it's about these things seen through the filters of television and film. Some days the house is a comedy; some days it's a horror show or sci-fi episode, and other moments are straight drama. (Many of the TV and film references are beyond me). Arlo/John who has lived inside this place for a very long time has graduall
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John has admitted that the five characters are all aspects of his own personality; a personality that is surely the product of media socialization. The characters are never seen entering the house and they never leave the house, they just manifest inside this box and the story begins. The male characters representing Capitalism and Science/Objectivity and the female characters representing Religio
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These are only subjects that come through the grid and which he dissects, manipulates, critiques, or uses in the analysis of his primary interest- media studies. Arlo, the androgynous character, represents chaos, youthful energy, imagination, and creation. Arlo, who's been in the house the longest, is J
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Here's my Lighting Co-Director Kevin Flanagan's assessment of the meaning behind the show:
KEVIN: "It is an alternative to a lot of the things that recent
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And here my producer, Joseph Maddrey describes Season Two:
JOE: The more time we spend with these characters, the deeper we see into them. Season two is gut-check time. While the most reprehensible actions of the characters in season one could be attributed to knee-jerk impulsiveness, the violence of season two reveals these characters at their most basic, primal levels... suffice it to say, it's not always pretty. Season two is season one's bigger, badder, older brother who came here to do two things: chew bubblegum and kick ass.
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There are funny stories, exciting factoids and other goodies in these interviews, so I hope you'll dig deep into the web site and check everything out in anticipation of Season Two.
The trailer for the The House Between 2.0 will be up shortly...
I agree with Rick that John was 'incubated' in a TV, but I would also argue that many of us Gen Xers were. Playing Astrid has been a challenge in that regard, because she's probably the only denizen who wasn't glued to the tube; TV during her childhood didn't have the same reach and importance. (I can't say how it might be during Theresa's childhood, so perhaps the females are there to represent life outside the box altogether?)
ReplyDeleteWow. Expert analysis from Mr. Coulter!
ReplyDeleteInteresting comments.
ReplyDeleteI see only one character really, who is familiar with pop culture to the extent that it becomes a big element of dialogue/frame-of-reference...and that's Travis. This is especially the case in Season Two, with the nicknames he gives to people in various episodes.
In other words, the show is a reflection of many media initiatives, but the characters aren't aware of it.
Except one Mr. Crabtree. And therefore, he may be the one who ultimately holds the key to understanding the big mysteries.
Or not.