Stardate: Unknown
The
U.S.S Enterprise discovers the missing starship Exeter in orbit of remote
planet Omega IV. A landing party beams over to the vessel and finds that the
crew has died as a result of a mysterious illness, ostensibly exposure to
contaminants on the planet.
A
recorded message from the ship’s chief medical officer reports that anyone
boarding the ship will also become infected, and that the only antidote rests
on the planet.
Captain
Kirk (William Shatner) and his landing party leave the Exeter and beam to the
surface, hoping to buy survival time from the infection. Kirk and the others find that Exeter’s
Captain Ron Tracey (Morgan Woodward) is alive, and has, quite possibly,
violated the Prime Directive in order to save the planet’s peaceful humanoid
villagers, Kohms, from the wild hordes nearby, known as Yangs.
Tracey
has taken this action because he believes that the Kohms have discovered the
secret of eternal life, or the Fountain of Youth. As Dr. McCoy (De Forest Kelley) investigates
this possibility, Kirk weighs his responsibilities, vis-à-vis Tracey’s
violation of General Order One. Meanwhile, Tracey wants the Enterprise to beam
down more phasers, and more phaser packs to help him in his quest to defeat the
Yangs.
When
the Yangs invade the Kohm village, however, retaking lands they held long ago,
Kirk realizes that a kind of parallel to Earth’s history is playing out.
The
Kohms were once “communists.” The Yangs
were…Yankees….
“The
Omega Glory,” is a strange, strange episode of Star Trek, though a perfect one to revisit on July 4th, or Independence Day.
The narrative begins with a strange disease killing a starship crew, moves into a meditation on the Prime Directive, and ends with Kirk nodding, knowingly and approvingly at a (parallel) version of Old Glory, our American flag. Our Stars and Stripes will not only live on in the memory of the greatest starship captain of the 23rd century, "The Omega Glory" tells us, but will restore freedom on a parallel planet.
The narrative begins with a strange disease killing a starship crew, moves into a meditation on the Prime Directive, and ends with Kirk nodding, knowingly and approvingly at a (parallel) version of Old Glory, our American flag. Our Stars and Stripes will not only live on in the memory of the greatest starship captain of the 23rd century, "The Omega Glory" tells us, but will restore freedom on a parallel planet.
Despite the wide-ranging subjects covered by "The Omega Glory," the episode is never less than “fascinating,”
to echo Mr. Spock’s famous exclamation.
In part, this is because the scenarios are memorably realized in visual
terms, and buttressed by a soundtrack that underscores the weird, and
discomforting nature of the tale.
I
have long found “The Omega Glory” to be a pleasure to watch because of the
imagery. The episode begins with pure
eeriness, as Kirk’s landing party discovers Exeter’s dead crew. There are no traditional corpses,
however. Only uniforms and chunks of
white chemical compound are left behind.
This is a remarkable and original visualization, and one that is
terrifying. Basically, the crew decomposed to these chunks of chemical
residue. The uniforms -- and the
remnants -- are draped over stations, positioned in chairs, suggesting a truly
alien condition, and a terrifying danger in the final frontier.
Later,
the episode focuses on intense close-ups of Spock’s magnetic, slightly devilish
eyes, and cuts to literary images of a Vulcan-like interpretation of the devil making
quite explicit the comparison between Spock’s nature and the Devil’s. If Kirk
is “The Evil One,” as the Yangs believe, Spock is his dark minion. The views we
get of Spock in this episode -- especially as he hypnotizes Sirrah – support this
notion visually.
By
the time we get to the image of a ratty, torn relic of American flag --
introduced with a dissonant, creepy, alternate version of The Star Spangled
Banner -- the episode has demonstrated a visual and aural ingenuity that sets “The
Omega Glory” apart.
Another
key strength of the episode is Morgan Woodward’s performance as Ron Tracey.
Woodward is a charismatic personality, one who projects physical strength and
mental toughness. Indeed, if you look at
the original series “captains” -- Kirk, Decker, and Tracey, specifically -- one
detects some commonalities. These are
all men of uncommon will and constitution.
Decker is undone by a tragedy not his fault. Tracey too deals with tragedy (though in a
way we may not approve of) but both men represents lessons, in a way, for Kirk
to learn from.
Of
course, however, “The Omega Glory’s” plot of a parallel Earth is often
criticized by fans and scholars. When Spock notes that the parallel of
Yangs/Yanks and Kohms/Communists is almost “too close” to be believed, there
are many who will agree with his assessment.
And
yet, let us remember that the key analogy between Star Trek and our reality
of the late 1960s is undoubtedly the Cold War.
In most cases, Klingons sub for the Soviets, and the UFP stands in for
the USA. Here, Kirk and company stumble
across a world that fought a World War over the ideologies of these two forces,
and destroyed themselves.
So,
at least in a sense, “The Omega Glory” remains true to the underlying conceits
of the Roddenberry series, even if in this case, the comparison may be very “on
the nose.” Also, it’s clear, given Kirk’s
reverence for the United States flag and the U.S. Constitution that this
episode revels in national patriotism.
Kirk’s
argument that the worship words of the Constitution are for all the people,
Yangs and Kohms is rousing, indeed,
and meaningful, in this context. The
words must apply to all people, he says, or they are rendered meaningless. The underlying idea here is that words, over
time, and through crises, can lose their meaning, if not read closely; if not
read carefully; if not remembered. The
Yangs want their country back, but have lost the meaning of the words they
supposedly revere. Kirk puts meaning back in those ideals with his dramatic
reading of the worship words.
Of
course, a key problem here is that it takes two to tango, and though the
episode advises mercy for the Kohms (the words of worship are for everyone!),
no commentary is given to the fact that if two ideological forces go beyond the
brink, to nuclear war, both ideologies and both nations bear the
responsibility. The “glory” of “Errand of Mercy,” for instance, was Kirk’s
realization, forced by the Organians, that he was part of the problem too;
hungering for a conflict with the (admittedly aggressive) Klingons. There’s no such even-handedness here.
As
a Prime Directive episode, “The Omega Glory” is also highly intriguing. Tracey loses his whole crew, and then sees
peaceful people being massacred by wild men, and so intervenes to protect them.
It is not at all impossible to see Kirk doing the same thing in the same situation.
Would you stand by and let the last apparent refuge of civilization fall on
Omega IV?
But
Tracey goes further, believing that he can somehow redeem himself and his
actions by bringing a (mythical) Fountain of Youth to the Federation. He goes
from interfering to save lives, for interfering to acquire something for his
own people. I would argue that this is
his great violation of the Prime Directive, his vainglorious desire to be seen,
perhaps, as a savior to his own people; an act which would mitigate the loss of
his ship and his crew.
Some
fans have judged “The Omega Glory” corny, both for the reverence to the
American flag in a 23rd century context, and for Shatner’s
impassioned reading of the “worship words.” I understand that, and yet feel the episode remains visually
fascinating, and conceptually unusual.
One thing is for certain: the episode is never less than entertaining.
And, on July 4th, it is never a bad thing to remember that the Constitution applies to all the people of America, not just some people.
And, on July 4th, it is never a bad thing to remember that the Constitution applies to all the people of America, not just some people.
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