In “There Were Giants in the Earth,” the Robinson family takes productive steps to build a self-sufficient community on the strange world where their ship, the Jupiter 2, has crashed.
John
Robinson (Guy Williams) and Major West (Mark Goddard) set up a force-field to
guard their settlement’s perimeter, while Judy (Marta Kristen), Maureen (June
Lockhart) and Penny (Angela Cartwright) begin to plant a garden.
Meanwhile,
Dr. Smith (Jonathan Harris) assiduously avoids working all-together. But when he does help in the garden, he inadvertently spawns giant plant monsters.
Next, a weather station device in the mountains begins to malfunction, and Robinson and West
learn that a strange, brutish cyclops has attacked it.
The colossus attacks them too, but Will (Bill Mumy) comes to the rescue and saves the day.
Because
of dropping temperatures, however, the new settlement will be unlivable in a
matter of hours. Robinson decides the
family should flee in the chariot, and head for warmer weather.
But
Smith and the Robot stay behind, in the safety of the Jupiter 2.
On
their journey away from the Jupiter 2, the Robinsons discover an ancient tomb…another
sign of life on the planet.
At
this point, it is safe to say Lost in Space is moving so fast that one starts to feel some
opportunities are being missed, or passed by. This
episode posits both a giant malevolent Cyclops, and an ancient civilization on the planet the
humans have just landed upon. Either one
would have made good fodder for an entire episode. Instead, we are left wanting more...and
perhaps that’s the point.
Lost
in Space, at
this early juncture, is an exciting, thrill-packed series, a story of pioneers
in an alien environment, facing challenge after challenge. The series isn’t deep sci-fi at this
juncture, but nor is it the camp apocalypse of the color seasons. I do know
this: as a kid I was terrified and obsessed with that giant cyclops for a
while. And I loved the interlude in the tomb, with the family finding skeletons inside.
In
writing these retrospectives, I’m attempting to keep track of certain ideas and
plot-lines. In one of those threads, I’m
paying close attention to Dr. Smith and his behavior.
Here, he is more amusing and shiftless than evil, a change in his usual persona. He ends up staying at the Jupiter 2, however, because of a production point. Harris was not an original cast member, and therefore not included in the pilot. And the first several episodes re-use elements of the pilot episode. Therefore, having the Robot (another new addition, post-pilot) and Smith remain at camp solves the problem of explaining their absence.
Here, he is more amusing and shiftless than evil, a change in his usual persona. He ends up staying at the Jupiter 2, however, because of a production point. Harris was not an original cast member, and therefore not included in the pilot. And the first several episodes re-use elements of the pilot episode. Therefore, having the Robot (another new addition, post-pilot) and Smith remain at camp solves the problem of explaining their absence.
Another
point I’m focusing on is the way that sixties attitudes end up seeping into this
futuristic adventure series. Last week, in “Islands in the Sky,” for example, the “girls”
had to make dinner for the family. Will? He was free to do whatever he wanted.
Here,
we see Maureen doing the family’s laundry, again with no male help. Still, the laundry operation as depicted here
is Jetsons-style cool, with clothes emerging not just washed and dried from the
family machine, but neatly folded as well.
Another
sexist note to consider: Will reports “women are always getting lost!” Once more, a little boy is even judged
superior to his female counter-parts.
Oy.
Despite these antique attitudes, Lost in Space remains intriguing because of the visualizations, and the production design. This episode features the first use of the rocket pack (a gimmick later used on Ark II [1976]), a visit to an alien tomb, and several close-up peeks at hard Earth "tech," including the weather station, the force-field generator, and yes, the aforementioned laundry machine.
I am not sure why this big, clunky "space pioneer" gear appeals to me so much, and on such a basic level...but I just can't get enough of these live-action props (the kind you see at the Robinson homestead). At this point, I would say that the production values of Lost in Space far outstrip those of Star Trek (1966 - 1968). The narratives and characters, of course, are a different story.
Despite these antique attitudes, Lost in Space remains intriguing because of the visualizations, and the production design. This episode features the first use of the rocket pack (a gimmick later used on Ark II [1976]), a visit to an alien tomb, and several close-up peeks at hard Earth "tech," including the weather station, the force-field generator, and yes, the aforementioned laundry machine.
I am not sure why this big, clunky "space pioneer" gear appeals to me so much, and on such a basic level...but I just can't get enough of these live-action props (the kind you see at the Robinson homestead). At this point, I would say that the production values of Lost in Space far outstrip those of Star Trek (1966 - 1968). The narratives and characters, of course, are a different story.
Finally,
this episode features Will singing Green Sleeves at a camp site:
I respectfully disagree with your comment, John, about LIS's production values far "outstripping" those of Star Trek. I'm a designer in large part because of the former's qualities. A film-biz friend said it best: It's hard to believe that those two shows were made at the same time. Too bad that Irwin Allen slashed the budget after the first few episodes (which used footage from the expensive pilot). The budget was not particularly high to begin with. Bill Mumy has noted the budget issue in interviews.
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