In
the final episode of Star Maidens (1976), Fulvia (Judy
Geeson) and her captives -- Adam (Pierre Brice) and Shem (Gareth Thomas) --
prepare to return to Medusa for the hostage exchange.
At the same time, Dr. Rudy Schmidt (Christian
Quadflieg) and Liz (Lisa Harrow) are being ferried back to Earth by Octavia
(Christiane Kruger).
The
exchange does not go off quite as planned, however, because of a malevolent
third party. The Medusans remember -- from their ancient history in Proxima
Centauri -- the presence of alien predators who “fed” on them. Now, a deadly spaceship from that force has
arrived in Earth’s solar system, ready to once more interfere in Medusan
affairs.
The
alien ship attacks, attempting to seize the Medusan shuttles, but Adam and
Rudy, on separate ships, launch a counter-attack, something the Medusan females are
not willing to do. The counter-attack is
successful, and Earth and Medusa have their first triumph together.
“The
Enemy” is a fascinating episode of Star Maidens, and a segment that makes one
wish for further episodes. Although the
episode’s final statement on the war of the sexes is not so strong (which I
will talk about below), “The Enemy” nonetheless sets the scene for a larger
tapestry, had the second season been produced.
Here,
the ancient enemy of Medusa arrives in a menacing-looking spaceship, depicted
with a miniature that would have felt right at home in Space: 1999 (1975-1977).
We never actually see the enemy. But from their merciless voices, we know that
the enemies are all male. We see their uniforms, rotund bodies, and gloved hands,
but never their faces.
We
are told -- via exposition -- that the Medusans, in their original solar system
“were preyed upon” by these aliens.
Apparently, these forces have been searching for Medusa for
centuries. And now the enemy has found
both its quarry, and Earth. It would indeed have been fascinating to see how this
dynamic altered the series in a second season, but alas it was never to be.
In
terms of our final statement about men and women, there is finally no ambiguity
about where Star Maidens stands. Adam and Rudy take command of their respective
Medusan crafts, and fight back against the aliens.
Several times, Octavia and Fulvia
complain that they don’t know how to fight. So the men, who apparently do, must
step up to save the day.
In light of
what we have already seen on the series, including Medusan weaponry and security
forces, this plot element doesn’t make much sense. Octavia is a hard-nosed,
brutal fighter, and head of Medusan Security. It seems highly unlikely that she
would “choke” in battle, especially after detecting that her enemies are
males. Her primary prejudice, as we have seen
close up, is that men are weak, inefficient creatures who cannot protect
themselves. Hence women must protect
them. That through-line is lost in this
final episode.
In
terms of science, Star Maidens gets into a little trouble here. “The Enemy”
continually confuses the term galaxy with solar system, noting that the bad
guys have been chasing Medusa from galaxy to galaxy. In the 1970’s, these terms were used
interchangeably in many series, including in Battlestar Galactica (1978).
As
this is the final episode of Star Maidens, I do want to reflect on the series
as a whole. In brief: I rather enjoyed it, even if
I can make the argument that the series did not always know where it was
headed, or what its point about the war of the sexes really was.
I love the production design from Keith Wilson,
and the miniature effects as well. Some
stories, namely “Hideout” and “The End of Time” are really fascinating, and
suggest that the makers of the series aimed for more than “high camp.”
And
“high camp” is what critics have determined the series is. I can see why, based
on some early episodes, but Star Maidens is worth a second-look, if only to
better understand science fiction on TV in the 1970’s.
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