In
“Creatures of the Mind,” we return to Medusa for a hard sci-fi story. In
particular, a Medusan officer working in the Archive of the Department of
Historical Records, is confronted with an old computer that has developed
sentience, and wishes to feed on the energy of living beings.
Octavia
(Christiane Kruger) assigns Liz (Lisa Harrow) to continue the job in the
Archives when the officer descends into catatonia. Liz asks Rudy (Christian
Quadflieg) to help, and together they confront the strange living machine.
The
dangerous computers nearly take control of Liz, but Rudy saves the day, and
actually gets a compliment from Octavia about his performance during the
crisis.
Although
this is a good, creepy, genre tale, “Creatures of the Mind” doesn’t exactly
feel tailor-made for Star Maidens (1976), a series about
the war between the sexes. Instead, it feels very
much aligned with many Star Trek (1966-1969) or Space:
1999 (1975-1977) stories involving sentient, mad, tyrannical computers.
Here the Museum of Medusan History houses just such a danger.
It’s
true that Octavia and Rudy must put their differences aside to defeat the
danger, making this an example of the “My Enemy, My Ally” story, as well as one
about the sexes getting along.
Still,
this story on Medusa doesn’t reveal much about the culture (as “End of Time”
did) or expose some flaw in the way the society works (as was the case in “What
Have They Done to the Rain?”) Instead, the story just features a sci-fi standard: the evil, advanced computer.
What
the story lacks in customization, perhaps, it makes up for in style. The
prologue, with creepy female voices taunting a security officer, is quite
unnerving. The Archive is dark, foreboding, and dangerous, and there is the feel of this as some kind of
demonic possession horror story. Only in this case, it is a computer, not a
devil that wishes to possess the living.
The
budgetary limits of the series are apparent, at least in one regard in “Creatures
of the Mind.” Octavia is the Chief of Security for the entire planet, and yet
she and Rudy work to save Liz...just the two of them. You’d think she had more
scientists and soldiers she could rally to the cause.
Of
course, the presence of additional characters would not only be expensive, it would take away from the particularly intimate nature of this
horror: creepy computer voices in the dark, promising friendship, but
delivering something malevolent and monstrous.
Next
week, the final episode of Star Maidens: “The Enemy.”
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