Filmation’s
Flash
Gordon (1979-1982) underwent a dramatic format change for its second
and final season.
Each
half-hour would now tell two self-contained stores (of approximately ten
minutes length), instead of dramatizing one 22- minute serial that was part of
an overarching narrative or arc.
The
first season concerned Flash’s quest to gain the trust and cooperation of the
diverse kingdoms of Mongo and bring down Ming.
The new season would focus instead on a kind of post-Ming world; one
where he was still a factor but no longer had the power base to control the
planet.
The second season of Flash
Gordon also undertook another, controversial step. Writers added a new
central character: a diminutive pink dragon named “Gremlin.” Gremlin served as cute, comic relief on one
hand, but also saved the day on more than one occasion, proving himself a
crutch for the writers.
Season Two of Flash Gordon also re-uses
a lot of footage from Season One. Ming’s secret “Magnetic mountain fortress,”
for example, is the home of the Beast Men from the first season.
Finally, Flash himself has
undergone a kind of personality transplant for Season Two. He’s much cheekier; a wise-cracker. Every new
situation is met with a quip or a joke. Unlike the situation in Blackstar (1981), where any
deepening of the titular character seemed like a step-forward, this approach
somehow didn’t seem right for Flash Gordon as a character.
On the positive side, Flash has a new toy to play with this season; a jet pack.
The season begins with two tales, “Gremlin
the Dragon” and “Royal Wedding.”
In the former, Flash and Dale are
returning to Arboria for the wedding of Princess Aura and Prince Barin in their
rocket (which is flying yet again…) when they set-down to rescue a little pink
dragon who is attempting to escape from the Beast Men.
Flash names the dragon “Gremlin,” and uses a
jet pack to defeat the Beast Men. After
the adventure, Flash and Dale sort of unofficially “adopt” the “little imp.”
In “Royal Wedding,” Ming hatches a
nefarious plan on the day of the royal wedding. He sends a giant robot to capture
Aura, Dale and Gremlin, hoping the prisoners will be “bait,” and Flash will
come to the rescue.
Flash does make the attempt, but Gremlin manages to steal the remote control
to Ming’s giant automaton and leads him off a cliff, where he is pulped. Ming is left promising, vainly, “We’ll meet again…sooooon!”
The inaugural stories of Season Two
feel a bit light-weight.
The first episode, “Gremlin the Dragon” may be the
better of the two, simply because it features a straight up purpose, to
introduce a new character. The story
also manages to depict the commitment Flash and Dale feel towards each
other. Neither one is willing to leave
the other behind in a tough situation.
And, indeed, Dale actually does something useful in the episode, for a change, and
saves Flash’s life.
“Royal Wedding” isn’t so good,
perhaps because, even at this early date, the writers seem bound and determined
to over-use Gremlin.
He is the one who defeats Ming’s plan, and the little
dragon’s victory does nothing to make Flash seem heroic, or Ming feel like he's still a genuine
threat.
Ming’s villainy is reduced
considerably by the fact that his plan for revenge is defeated by a flying “pest.” It seems to me that Gremlin is a fine
supporting character and addition to the cast, but that the writers should have
used him more sparingly. He could help out, he could support the action, but he
shouldn’t often be the definitive factor in winning the day.
Next week “Sir Gremlin” and “Deadly
Double,” two more Gremlin-centric Flash Gordon episodes.
I refuse to acknowledge the existence of this season.
ReplyDeleteIt is too bad they chose to make Flash Gordon season two writing to appeal to even younger viewers.
ReplyDeleteSGB