In
Jason
of Star Command (1978-1980), Chapter Ten, “The Disappearing Man,” a
Seeker suddenly appears near Star Command, and then vanishes. It re-appears in
the hanger bay.
While
investigating, Jason (Craig Littler), Nicole (Susan O’Hanlon), Parsafoot
(Charie Dell) and Commander Canarvin (James Doohan), find a high-speed
recording on the ship. Lt. Matt Prentiss
(John Berwick), who disappeared from Space Academy a year earlier), claims to
be a victim of Dragos’ (Sid Haig) evil.
Dragos
has experimented on him and accelerated his metabolism to one thousand times
the equivalent of human normal speed.
This is part of Dragos’ plot to develop an “ultimate weapon,”
invisibility.
Professor
Parsafoot (Charlie Dell) creates a device that can speed up Jason’s metabolism,
and allow him to locate Matt. But he
only has 90 seconds to use it, before he too becomes trapped – permanently – at
that accelerated rate of existence.
Jason
is successful bringing back Matt, and the grateful man informs him of another
secret. Peepo – who is still missing –
is under Dragos’ control.
“The
Disappearing Man” is a knock-off of a classic third season Star Trek episode: “Wink
of An Eye.”
In that narrative, as you
may recall, the Enterprise visited a planet called Scalos wherein a
civilization was dying. Its few survivors,
including Queen Deela, had been affected by strange factors in their
water.
The result was that their
metabolism accelerated to an unbelievable rate, making them impossible to see
at our speed or our level of vision.
The
story saw Captain Kirk accelerated in similar fashion (thanks to a drop of
water in his coffee cup), and the neat visuals depicted him moving at normal
speed through a world -- the corridors of the Enterprise -- frozen, as if in
amber.
“The
Disappearing Man” features the same sort of personal acceleration, vis-à-vis
the missing cadet, Matt Prentiss, and also shows the “real world” in the same
fashion; as so slow that movement is undetectable.
In “Wink of an Eye,” the Scalosians could
communicate, but their words were so fast, they sounded like insects buzzing
about. “The Disappearing Man” retains
that concept as well. I wonder how James Doohan felt acting in an episode with such an obvious Trekkie antecedent?
Even
casting aside these similarities, “The Disappearing Man” has some logical
problems. For example, Jason only has
ninety seconds or he will be lost, accelerated.
The machine that can bring him back, however, is broken at the last
second, leaving Dr. Parsafoot to attempt something else. The question is: why is this a crisis? Why not just repair the machine and send
somebody else (Nicole, perhaps…) after Jason, just the way he went after the
accelerated Prentiss?
“The
Disappearing Man” plays a lot like a budget/time-saver. Although there is a
guest star, John Berwick, all the action occurs on standing sets, not new
planet sets with alien creatures, and there are no new significant outer space
visuals, either, just some footage of a Seeker from Space Academy (1977).
Even
the plot is thrifty, having been imported directly from Star Trek.
Next
week: “Chapter 11: The Haunted Planet”
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