In
“The Wreck of the Robot, Will (Bill Mumy), Dr. Smith (Jonathan Harris) and the
Robot encounter strange, sinister aliens in a cave.
These
dark, curious beings want to take the Robot, and offer to pay for it, but Will
refuses their ffer.
Later,
the aliens make the same demand for the “mechanical man,” and Professor
Robinson (Guy Williams) also refuses. The Robot begins to feel fearful that his “number
is up,” and that his days with his “family” are numbered.
When
the macabre aliens act again, they board the Jupiter 2 by darkest night, take
the robot and dismantle him. They offer
to return him -- though in pieces -- when their examination is through.
The
Robot is returned, but soon all the mechanical devices in the Robinsons’ camp
begin to act strangely…out of control.
The
family soon realizes that these aliens of “evil
ambition” plan to conquer Earth. And
they will do so by turning man’s machines against him!
I
won’t pull punches in my review today.
"The Wreck
of the Robot” is the best episode of Lost in Space’s (1965-1968) second
season, at least so far. It vies for
this title with “Prisoners in Space,” but I would seat it just a bit higher
than that fine, and entertaining entry.
Why
such regard for this episode?
Although
the episode is shot in color, “The Wreck of the Robot” strongly recalls the
expressionist nightmares of season one installments such as “Wish Upon a Star,”
and the child-like innocence (but also terror…) of such stories as “The Magic
Mirror,” or “Attack of the Plant Monsters.”
This
story involves strange, faceless aliens in cloaks and hats who are genuinely
terrifying in image and movement. Yet their image is further enhanced by the
compositions and shots chosen by the director, Nathan Juran.
For
example, these extraterrestrial creatures -- kind of early versions of Buffy
the Vampire Slayer’s fearsome Gentlemen -- are sometimes seen only as
shadows reflected on the hull of the Jupiter 2. And by pitch-black night, no
less.
And
in one thoroughly unnerving scene, these beings steal inside the safe haven of
the Jupiter 2, and peek in on the children, Penny and Will, sleeping
soundly. They stand there and watch,
before moving on, and the impression is one of real malevolence; real
danger.
On a series that so often feels
silly, this invasion of “home” does not feel silly at all.
The
fear being expressed in “The Wreck of the Robot,” quite simply, is something akin
to “Stranger Danger.” All children, I
believe, understand this fear instinctively; that some malevolent adult
stranger has set their sights on us, and wants to take us away from our family.
If
one analyzes the images in “The Wreck of the Robot,” one begins to understand that’s
exactly the story featured here. The alien strangers are, in terms of
symbolism, depicted as strange “adults” in their formal hat and capes.
Secondly, they arrive to steal one of the
family -- the Robot -- who is deathly afraid of them.
And
then, worst of all, these alien stranger come by night, as the children sleep,
and invade the safety of the home (the Jupiter 2), while the parents are
totally unaware, oblivious of the danger posed.
The Robot is taken, metaphorically, from his home, at night and then “dismantled,”
a kind of body image attack that is not far, idea-wise, from physical or sexual
assault. After being returned and re-assembled, the Robot readily admits he
feels uneasy; that he is not himself yet.
For lack of a better word, he is traumatized.
Given
the metaphorical meaning of the tale, “The Wreck of the Robot” plays as something
much like a child’s nightmare. The sinister aliens are both grotesque (for being
faceless) and representative of adults (in their choice attire), yet also -- in
some way -- whimsical or childish. They are the kind of monster a child might
be afraid of. They are simultaneously repellent and impossible to stop
watching.
“The Wreck
of the Robot” also succeeds for two other reasons. First, it features a
remarkable and heart-felt scene between John and Will Robinson.
John
wants to tell Will that he will be okay, even if he loses the robot, and one
cannot help but think of a parent comforting a child over the loss or injury of
a pet. John tries to tell Will that he
will be all right, no matter what happens to his friend. Also in this scene, there’s a great moment
about how fathers love their sons. For
them, John says, it is like reliving their own childhood; like he gets to grow
up all over again. This is, frankly, how
I feel almost every day with my son. I
get to relive childhood through his eyes; his experiences.
“The Wreck
of the Robot” also seems to understand that a little Dr. Smith goes a long
way. He is not the center of the story,
he does not attempt to deceitfully sell the Robot to the aliens, and his comic
antics are not allowed to detract from the narrative’s sense of developing fear
or terror. The worst scene in the
episode, in fact, is one in which Don and Judy tease Smith with the Robot’s
severed head. But even that doesn’t ruin the episode, overall.
In
terms of character development, “The Wreck of the Robot” certainly does a lot for
the “Bubble Headed Booby.” The Robot
survives his abduction in the end, and destroys the alien machine -- when no man
or machine can -- because of his unique nature.
As he suggests, the Robot is not a man and not a machine, either, but
something in between. He has a soul,
perhaps one might conclude.
But
even the Robot’s strange journey -- and sense of self-discovery in this episode
-- is secondary to what I feel is a deeply psychological story about childhood,
or adolescence; the fear of the adult world and its strange rules (again,
represented by the aliens’ formal hats, I would suggests), as well as its murky,
unspoken dangers.
I
absolutely love Lost in Space when it plays on this terrain, as a kind of
futuristic fairy tale for kids
(think “The Magic Mirror” or “My Friend, Mr.
Nobody.”)
I
readily confess that I have found some previous episodes of the second season
not only tiresome, but actually atrocious.
“
"The Wreck
of the Robot” rights the ship, at least for a moment.
Next
week: “The Dream Monster.”
extraterrestrial creatures are Saticons
ReplyDeleteJohn,
ReplyDeleteYou really nailed it with this one, and once again brought some insights to the table that never would have occurred to me. Yes, the robot has been assaulted. It's almost a revenge fantasy metaphor in that he gets to impart justice upon his tormentors. Well done.
In terms of style, this is the closest to a first season episode that the second season has to offer. The aliens are truly unsettling and mysterious; I love that last, "The Invaders"-esque shot of them in the final scene.
The ship will be righted for at least a couple episodes, but I feel I should warn you that the five entries after that are going to test your critical faculties.
I'll be here if you need me.
Steve
One of the few great episodes of season two is "The Wreck of the Robot”. Good review.
ReplyDeleteSGB
I love all of Season Two..but this one is indeed top five..
DeleteI love them all for sure, but this is one of the best.. :-]
ReplyDelete