Sid
and Marty Krofft brought Saturday morning television some of its most memorable
and unique programming in the 1970s. Land
of the Lost clearly stands at the top of that heap, but there are many
others worth recalling, from ElectraWoman and DynaGirl (1976) to The
Lost Saucer (1975) to this series, Dr. Shrinker (1976).
Like
ElectraWoman
and Dynagirl, Dr. Shrinker aired as a segment of the omnibus The
Krofft Supershow for one season, and had a strong science fiction
underpinnings.
In
this case, the inspiration for the series seems to be the 1940 horror movie Dr.
Cyclops. There, Dr. Thorkel
(Albert Dekker) lured three scientists to his jungle laboratory and
miniaturized them. They then were endangered not just by the doctor, but the
now colossal-seeming wild-life of the terrain.
Similarly, Dr.
Shrinker tells the story of three young adults -- Brad (Ted Eccles),
Gordy (Jeff Mackay) and B.J. (Susan Lawrence) -- who crash their plane on the
island of a mad scientist, Dr. Shrinker (Jay Robinson) and his minion, Hugo
(Billy Barty). He promptly miniaturizes them, and they escape from his
laboratory, into the jungle biome.
There, they battle snakes, rats, and other wild-life.
Each
week on the series, Shrinker and Hugo also concoct some plan to re-capture the “Shrinkies,” as they are known. His shrink ray weapon often re-appears in the
series too, and often breaks down too.
The Shrinkies hope to use it to be restored to normal.
In
terms of visualization, Dr.Shrinker employs the same chroma-key
techniques adopted by Land of the Lost. Actors are often
matted onto backgrounds which pair them with colossal creatures, in this case
the aforementioned wild-life.
Dr.
Shrinker,
uniquely, appears to have been ripped off to some degree for Hanna Barbera’s Mystery
Island, which I reviewed here not long ago.
There, another plane crashes on a mysterious
island, and three youngsters (two male; two female, and a brother/sister duo)
are confronted by a mad scientist, in this case “Dr. Strange.” In both series, the villains have minions,
and in both cases, the game is always one of capture and escape.
In
the Dr.
Shrinker episode “Pardon Me, King Kong,” Dr. Shrinker and Hugo call on
Boris the Chimp to help them capture the Shrinkies. Like Kong, Boris takes a liking to a golden
haired girl, B.J. and captures her. Shrinker
then holds her captive in a cage in his laboratory, using her as bait.
Sure
enough, Brad and Gordy soon arrive at his home, and use a fishing hook and line
to climb up a chair and reach her. They
too are captured, but manage to escape before the episode is done.
A
few things to note: King Kong (1976), obviously, was a major pop culture event of
1976, and so Dr. Shrinker attempts to exploit that here, in some sense, putting
a regular sized chimp up against miniaturized humans.
Secondly,
the “Shrinkies” are not yet very well-defined or developed, but B.J. comes off as down-right
cruel in her scenes with Brad and especially to her brother, Gordy. She is a mean and unpleasant character, which
is surprising given that she is one of the series' heroes.
Finally,
the best scenes in this episode belong to Jay Robinson and Bill Barty, who chew
the scenery together like nobody’s business.
I don't know. This was like Electra Woman and the rest of the Krofft Supershow for me. In other words it just failed to register. Funny how for me so many Krofft shows were lynchpins of my childhood and others just failed to make an impression.
ReplyDeleteI remember watching "The Kroft Supershow" on Saturday morning in the mid-70s and enjoyed especially "Dr. Shrinker" which was the middle feature between the other two 15-minute segments "Wonderbug" and "Electra Woman and Dyna Girl." Though the special effects were somewhat cheesy, I thoroughly enjoyed each episode. This is a good review of what I believe was the first episode "Pardon Me King Kong."
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