The amazing WB Archive has unearthed another obscure treasure from my childhood in the 1970s: Korg, 70,000 BC (1974 – 1975).
This Saturday morning live-action
adventure/fantasy series from Hanna-Barbera was created by the late Fred
Freiberger and ran for one season on ABC. The series follows the adventures of a Neanderthal
family headed by the hunter Korg (Jim Malinda). The others in his tribe
included his wife, Mara (Naomi Pollack), hunter Bok (Bill Ewing), daughter Ree
(Janelle Pransky) and sons Tane (Christopher Man) and Tor (Charles Morteo).
Korg ran from September 7, 1974 to late August 1975.
Burgess Meredith served as series narrator, and
at the climax of each story, his gravelly voice gently assured viewers that the
preceding tale was "based on assumptions and
theories" based on
Neanderthal "artifacts" discovered by modern man, since the
Neanderthals left nothing else by which to learn about them.
Each episode of this half-hour series usually featured a relatively simple story, and one that seemed to concern family values. Although it is shocking to see prehistoric cave dwellers speaking perfect English (!) in the series, it nonetheless had its share of unique installments.
Each episode of this half-hour series usually featured a relatively simple story, and one that seemed to concern family values. Although it is shocking to see prehistoric cave dwellers speaking perfect English (!) in the series, it nonetheless had its share of unique installments.
In one, a wounded Neanderthal from the nearby
"River People" found himself going blind after a bad fall. He thus
abducted Korg's youngest son, Tor, to lead him home. Korg and Bok followed in
hot pursuit to save the boy, but the conflict was resolved without conflict or
violence, a staple of Saturday morning television in the 1970s. Understanding
was forged and the episode ended on a happy note with the hunter's sight
restored as Korg and clan escorted him home.
Another Korg episode,
written by Dick Robbins, was shot at Vasquez Rocks, the location of so many Star Trek episodes, including "Arena."
In this tale, Korg and his friends faced a "struggle for
survival," according to the narrator, "a constant" back in that time.
In particular, Korg and Bok hunt a very
fake-looking black bear, and it badly wounds Bok. This causes the great warrior
to lose his sense of courage, a sort of prehistoric case of PTSD, so Korg
concocts a vision from their God "The Great Unseen One," to restore
Bok's strength.
In particular, he must drink the blood of the
bear that injured him. The episode culminates with a weird ritual as the
triumphant Bok and Korg dance around with the bear's severed head. That sounds
awfully un-PC for kid's television, but there you have it.
The subtext of this episode is also fascinating,
since Korg, in the coda, comes clean to wife Mara that he invented the vision
so as to help his friend. One is left with the notion that this kind of
trickery may indeed be the way that man began to conceive "religion." But it’s oddly subversive, again, for a
Saturday morning program.
Although there are occasionally some nice shots
of wildlife in the program, Korg
70,000 BC's biggest deficit is that it looks to be filmed in
contemporary and familiar Southern California, not a dangerous prehistoric
landscape.
That said, the caveman make-up holds up pretty
well, and the stories are simple ones, simply told, but relatively engaging if
you can get over the sight of Neanderthals speaking Pidgein English. The
non-violence is a bit hard to swallow too, especially since these people had
not even yet "discovered" the missionary position. So think of this
as Quest for
Fire…rated G, on Saturday mornings.
Korg 70,000 BC is
worth remembering not just because it's a very different kind of Saturday
morning TV show, but because it did spawn a merchandising blitz during its day.
I remember playing the Korg board
game, and there was also a Korg lunchbox
available, if I remember correctly.
As a kid I watched Korg religiously,
though I was always disappointed that the cavemen didn't fight dinosaurs. Which
is probably why I liked Land
of the Lost better, even if Korg 70,000 BC took
pains to present its material as accurately as possible for kid's television
Even though KORG felt like a documentary complete with reenactments, as a boy in the '70s, I still watched it. Like you John, I liked Land Of The Lost better because of the dionosaurs and the mystery of Altrusia.
ReplyDeleteSGB
I have an spanish-language blog about Neanderthals, and i'd like to ask for your permission to translate this post about Korg into Spanish language and publish it in my blog (with the proper attribution and a link to this original source, of course)
ReplyDeletehttp://timoneandertal.blogspot.com/
twitter:@ElNeandertal