“It’s
a Helluva Life” is one of Brimstone’s (1998 – 1999) finest
episodes, a playful and often moving variation on the classic 1946 film It’s
a Wonderful Life. Only here,
Detective Stone (Peter Horton) is the one who gets a tour of his
life... in this case by the Devil and a lookalike angel, both played by the delightful and
acerbic John Glover.
In
“It’s a Helluva Life,” Stone unexpectedly spots his wife, Rosalyn (Stacy Haiduk)
during his pursuit of a bank-robbing Hell escapee, and then debates with the
Devil about the arc of his life.
The
Devil suggests that Stone was always been a bad, irredeemable man, destined for
eternity in Hell, and then reminds Stone (via flashbacks) of the time he framed
a notorious criminal for drug possession. The Devil also shows Stone his continued
neglect of Rosalyn, and reveals how Stone started down the dark path as a young
boy. In one vision, Stone sees how his father's own bully-like ways were passed down to him.
But
then an angel shows up and reminds Stone that the truth is not nearly so
black-and-white as the Devil suggests, and that Stone’s final chapter on Earth is yet unwritten. The Angel takes Stone back to his first
meeting with Rosalyn, decades earlier, and reminds him how their love began at
the Policeman’s ball in 1980. Finally,
the Angel suggests that Stone boasts “a
divine purpose.”
Once
more in Brimstone, the nature of good and evil is explored in a
significant and nuanced way. In “It’s a
Helluva Life,” the audience is once more asked to countenance shades of
gray. Is it right to bring a known
criminal to justice by manufacturing evidence against him if that is the only
avenue to make the populace safe? Can we
forgive a boy for his adult trespasses because he was mistreated by an abusive father? There aren't any clear-cut answers.
What
this episode truly discusses is this: what is “evil” in human nature really
about? Can it ever be mitigated or
forgiven because of extenuating circumstances (like intent, and upbringing)?
Or,
contrarily, is evil but a deed which once wrought, cannot be undone. Once you
have committed evil, does that act of evil forever shade your future?
For
instance, The Devil suggests to Stone that even the “thought” of evil counts,
because it poisons the soul. Yet the Angel contradicts Satan, and suggests to Stone
that “Universal law,” essentially is open to the idea of mitigating
circumstances. I’ve written it before in
these blog reviews, but the magic and genius of Brimstone is the way it
explores moral relativism within the confines/context of a dramatic universe of
absolutes. God and the Devil exist, and so good and evil must exist in their purest form. But how man chooses navigates the universe involves shades of gray.
I
believe that “It’s a Helluva Life” is the finest episode in the Brimstone canon
because it breaks established formula and doesn’t focus intently on the hunt for the Hell convict of
the week.
Instead, Stone’s choices -- and
Stone’s nature as a human being -- are at the core of the drama. We learn a lot about his history in this story,
and Stacy Haiduk delivers a great performance as the tragic and winsome
Rosalyn. She comes across as beautiful
in spirit and form in this episode, and the scenes in which Stone delivers
emotional hurt upon her are almost unbearably painful to watch, because we know where
they are both heading.
Perhaps above
everything else, “It’s a Helluva Life” reminds you to cherish those you love in
the time you have on Earth, because that time could be unexpectedly cut short. In the fast hubbub of life, it’s all-too easy
to let a hurt go unacknowledged. Here, Stone is burdened with regrets and paths not taken, and there's no easy way forward.
I
admire that “It’s a Helluva Life” is emotionally moving without being
schmaltzy. In large part, this is
because Horton underplays Stone’s revelations, always keeping the character’s emotions
close to the vest. But the schmaltz factor is also reduced because John
Glover is so damned good as the Devil, forever puncturing any moment that threatens
to become pretentious. Glover gets a great
line here about Stone and “zooming” away on the Highway to Heaven. In that moment, the series truly lives up to
its nickname: Touched by a Devil.
With only two episodes left to go in its abbreviated run, Brimstone hits a high-point with "It's a Helluva Life."
Next
week on Brimstone: “Faces.”
This is why someone needs to get this series, finally, onto disc so that others can see what they missed (and launch another arrow towards the Fox folk for nipping another stellar series in the bud). Great look at this, John.
ReplyDeleteJohn,
ReplyDeleteYou and I have talked about this before, but for me, not only is this episode the highlight of the Bristone run, it's also one of the finest hours of television that I have ever seen. The scene were Stone is at a distance watching Roz as she is still freaked out from the bank robbery is stellar. When I had a chance to sit and talk with Ethan Reiff and Cyrus Voris about the series, we talked at length about the show. I always had the feeling the the Devil was actually the Angel as well playing a trick on Stone. Keeping him on the path of bringing back all his souls. Both Ethan and Cyrus said that you never know. I thought that was interesting.
My question to you is do you think that the Devil would actually follow through with the deal? Giving Stone a second chance at life?