In
“Frankenstein Drops In,” Sigmund’s brothers -- Blurp and Slurp -- along with
his father, Big Daddy, lament that there is no one left to clean up the cave
for them, since Sigmund left. When they see Scott (Scott Kolden) on the beach,
they decide to capture him and make the boy their servant.
When
Johnny (Johnny Whitaker) and Sigmund learn what has occurred, they sneak into
the cave and realize it will be impossible to rescue Scott without a
distraction. When they see the sea monsters watching The Monday Night Super Monster Movie, “Frankenstein Goes Ape,” they
get an idea. Johnny dresses up like the Frankenstein Monster, Big Daddy’s idol,
visits the cave as a friend, and asks to take Scott back as his slave.
Unfortunately,
the sea monsters soon realize the gambit, and try to capture Johnny too. Johnny, Scott, and Sigmund are able to make a
quick escape together.
As
is often the case with Krofft series of the 1970s’, this series is getting
weirder the longer it goes.
In this
episode, Scott is made a slave by Sigmund’s family, and the monster-loving sea
monsters get a visit from a being they presume to be the Frankenstein Monster,
though he is constantly referred to as Frankenstein by the episode writers.
The
insertion of “famous” monsters into the series mix is an odd choice, to say the
least. After all, this is a series about sea monsters living in a cave at the
beach. But in this episode and the next one, two Universal Monsters appear: the
Frankenstein Monster and the Wolf Man. The Creature of The Black Lagoon might
have made more sense, given the aquatic nature of Sigmund’s family.
Most
of the humor this week derives from the sea-monster-flavored entertainment on the
cave “Shellovision” as reported by the brothers. Big Daddy sits down to watch his favorite
series, “Ghoul in the Family,” And later, the sea monsters complain to the
Frankenstein Monster about the quality of one of his films: “Frankenstein Meets
Gidget.”
One genuinely funny moment sees
Scott express surprise about being captured by Sigmund’s family, and Big Daddy
notes, “Well, we ain’t the Partridge
Family.” Of all the early 1970’s
Krofft shows, Sigmund and the Sea
Monsters is the one that appears most obsessed with disco decade
pop-culture. Today, this quality of the series makes it a kind of time capsule
for early 70’s generational touchstones.
The
overall narrative here, not surprisingly, doesn’t make a lot of sense. Scott is
captured right off the beach, and dragged to the monster cave, to be a slave.
After escaping the cave together, Scott, Johnny and Sigmund go right back to
the exact point he was captured, and linger there long enough to sing a
song. If I were them, I would have
waited to sing that song, until getting back to the clubhouse. At any minute, the monsters could have reappeared
from their (nearby) cave and grabbed them again.
The sea monsters are a dangerous threat only
until the writers decide they are not.
Next
week: “Is There a Doctor in the Cave?”
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