This
week’s episode of Brimstone (1998 – 1999), titled “Executioner,” isn’t one of the
best in the series catalog.
The story involves Det. Ezekiel Stone (Peter
Horton) hunting down a vigilante killer who uses electricity to fry those who have escaped the hand of justice. Stone teams with a feisty district attorney nicknamed
“The Dargon Lady” and “the Iron Maiden” played by Michelle Forbes to
investigate the case, and at first pursues a red herring (Robert Knepper)
before targeting the right man (John Hawke).
This
story is far more routine and by-the-numbers than most Brimstone episodes, with
fewer twists and turns. Although the supporting cast is indeed strong, and the
Devil (Glover)/Stone repartee is as amusing as everywhere (particularly a
reference to Regis and Kathie Lee), this episode really drags.
Late
in the story, the Devil makes an observation that the killer here has appointed
himself “judge, jury and executioner,”
and explicitly compares that act to Stone’s vigilante murder of Gilbert Jax,
his wife’s rapist.
This kind of social commentary
– and mirror for Stone -- is usually the thematic point of a Brimstone
episode. By investigating each Hell
escapee, Stone gains some new insight into his own humanity, and his own
failings. Here, however, the comment by
the Devil feels shoehorned into the proceedings to give the story some meaning
beyond the dull, plodding murder investigation.
The
most interesting aspect of this episode, perhaps, involves Detective Ash (Teri
Polo) and Stone growing (almost) intimate over a game of pool in a bar. Just as they are about to kiss, a waitress
walks by pours a drink on Ash, thus ending the romantic moment.
We
learn afterwards that the Devil paid the
waitress to spill the drink. The
funny thing about this whole sequence is that it when viewed in context of this
episode alone, it plays merely as the Devil being his usual, mischievous
self. However, in light of the next
episode in the canon -- the brilliant and
shocking “Ashes” -- it takes on a whole different aspect. After that episode, we understand there are
reasons why the Devil doesn’t want Ash to hook up with Stone. In fact, from a certain perspective, the
Devil is even protecting Stone.
The
relatively poor “Executioner” reminds the viewer that Brimstone is an
exceedingly strong series only when it travels beyond the repetitious police
procedural format, and only when it remembers that the series concerns more
than chasing the supernaturally-powered criminal of the week. With a
few exceptions, installments such as this one are as dull, predictable and
forgettable as your average first season episode of Grimm.
Fortunately,
Brimstone
hits its stride again in next week’s show, the aforementioned “Ashes.”
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