"The majority of the films analysed within this book share this essential trait: first and foremost they exist to entertain by terrifying their audience but on a deeper level they are written as a response to the era in which the writer and film-maker are living: The Vampire Lovers blatantly communicates the fear of the emergent independent woman whilst The Descent explores the emotional collapse and consequential regression of one such woman; The Wicker Man critiques a society that embraces freedom and sexual liberation through its very opposite, the repressed Christian; whilst Death Line suggests an examination of societal ignorance towards the poor and the impoverished."
- James Rose, Beyond Hammer:British Horror Cinema Since 1970, Columbia University Press, 2009, page 9.
- James Rose, Beyond Hammer:British Horror Cinema Since 1970, Columbia University Press, 2009, page 9.
Very cool - a successor to David Pirie's "A Heritage of Horror." Let me know what you think.
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