In the fifth webisode of the sci-fi series, THE HOUSE BETWEEN, a new danger emerges when provisions dwindle...and a shortage of food is imminent in the hermetically-sealed house. In an effort to communicate with their invisible caretaker or warden, Theresa (Alicia A. Wood) suggests a seance. Unfortunately, the seance has drastic repercussions, landing a mysterious mirror in the house; one that has profound impact on Astrid (Kim Breeding), Arlo (Jim Blanton), Travis (Lee Hansen), Bill (Tony Mercer) and Theresa herself. Written and directed by John Kenneth Muir. Produced for the Lulu Show LLC by Joseph Maddrey
Saturday, April 14, 2007
THE HOUSE BETWEEN Ep. 5: Mirrored
award-winning creator of Enter The House Between and author of 32 books including Horror Films FAQ (2013), Horror Films of the 1990s (2011), Horror Films of the 1980s (2007), TV Year (2007), The Rock and Roll Film Encyclopedia (2007), Mercy in Her Eyes: The Films of Mira Nair (2006),, Best in Show: The Films of Christopher Guest and Company (2004), The Unseen Force: The Films of Sam Raimi (2004), An Askew View: The Films of Kevin Smith (2002), The Encyclopedia of Superheroes on Film & Television (2004), Exploring Space:1999 (1997), An Analytical Guide to TV's Battlestar Galactica (1998), Terror Television (2001), Space:1999 - The Forsaken (2003) and Horror Films of the 1970s (2002).
Subscribe to:
Post Comments (Atom)
60 Years Ago: Goldfinger (1964) and the Perfect Bond Movie Model
Unlike many film critics, I do not count Goldfinger (1964) as the absolute “best” James Bond film of all-time. You can check out my rankin...
-
Last year at around this time (or a month earlier, perhaps), I posted galleries of cinematic and TV spaceships from the 1970s, 1980s, 1... -
The robots of the 1950s cinema were generally imposing, huge, terrifying, and of humanoid build. If you encountered these metal men,...
You've done it again, Mr. Muir, defied expectation. Forget Denise Crosby, Kim Breeding's unhibited "Evil Astrid" makes Barbara Stanwyck seem like a femme fatale on an off day. Lee Hansen's hysterical depiction of Travis' "sensitive side" had me rolling. And it was nice to see Ms. Wood drop Theresa's rigid facade, much like Spock did in "The Other Side of Paradise". James Blanton's Arlo continues to be a likeable source of unexpected menace. And Mr. Mercer's Bill reached Tony Randall heights of sheer exasperation, except in the final minutes, as he uttered yet another glorious cliffhanger of a line. And I can hardly wait....
ReplyDelete