Saturday, July 22, 2006

SATURDAY MORNING CULT TV BLOGGING: Land of the Lost: "Hurricane"

Land of the Lost's "Hurricane" is one of the series' finest (and fastest...) entries. Written by David Gerrold and Larry Niven, the story finds a parachutist named Beau Jackson (that's Mr. Jackson if you're nasty...) falling into the pocket universe after Will fools with a pylon's matrix table. This particular pylon is stationed atop a mountain peak, at the highest point in the land...

This geography is important, because in the episode's most exquisite image (and indeed, one of the series' best moments...), Will, Holly, Marshall and Beau gaze across the snow-covered peaks of the land of the lost (using binoculars) and spy something interesting: themselves! Yep, they see themselves (from the back!), looking across the land...a view which beautifully sells the concept of a world that twists around itself, closed off, with no end and no beginning.

In this inventive episode, the Marshalls must find a way to re-direct the floating time doorway (which is cruising 50-60 meters in the air...) closer to Mr. Jackson, so he can be returned home (to his life in the far off 1990s...when we have space gliders and space stations...). Also, there's another problem. The time doorway opened while Mr. Jackson was on his space glider - directing an atmospheric re-entry. That means that all the wind and turbulence from the earth's upper atmosphere is gushing into the Land of the Lost and creating the mother of all hurricanes. The environmental watchdogs of the closed universe, the skylons, put in an encore appearance to help out.

"Hurricane" also boasts a great line from the Texan space pilot Beau (played with the right amount of disbelief and humor by Ron Masak...). Will tells him that one of the dinosaurs, Spot, is "omnivorous," and Beau replies, "I don't much care where it goes to church..."

The next episode, "Circle" is the final entry in Land of the Lost's first season!

No comments:

Post a Comment

60 Years Ago: Goldfinger (1964) and the Perfect Bond Movie Model

Unlike many film critics, I do not count  Goldfinger  (1964) as the absolute “best” James Bond film of all-time. You can check out my rankin...