In
“Tarzan and the Forbidden City,” a hunter brings his daughter Kelly into the
jungle on a quest to locate Tarzan. The
hunter’s need is desperate. His son Brian has disappeared near the Forbidden
City, Ushare, a metropolis built on a volcano called Tuen Baka.
A
second group of hunters are also in search of the city. The denizens there are rumored to possess a
gem of rare value, known as “The Father
of Diamonds.”
Tarzan
undertakes the quest, and helps Brian and the hunters learn that there is
nothing more precious “than life.”
The
fourth episode of Filmation’s Legend of Tarzan (1976-1980) is a
loose adaptation of Edgar Rice Burroughs’ twentieth Tarzan novel, written in
1938. Both the episode and the book share a title: Tarzan and the Forbidden City,
and a plot line.
Namely, both involve
the search for a missing adventurer, Brian Gregory, and the search for a
treasure called the Father of Diamonds.
The
two stories differ in a crucial way. In the book, Tarzan and Brian resemble one
another, and are mistaken for one another.
That element is not retained in this episode. However, both the book and this cartoon share
a climactic revelation: the “Father of Diamonds” is not a diamond, or rare, at
all.
It’s just a lump of coal. One day, of course, long in the future, it
will be a diamond.
In
other words, the search for wealth here is a brand of Fool’s Gold. Men have
been imperiled, families separated, in a vain search for something that is not
a real treasure. “Men are strange
beasts,” Tarzan notes in the book. In
the TV show, he makes the comment that the real treasure we can all have is
life, and Brian notes that “wealth is no longer important” to him.
“Tarzan
and the Forbidden City” is an intriguing episode of the series not only because
of its considerable fidelity to Burroughs’ original vision, but because of the
technology in the City of Ascher. It seems like it would be home in 20,000
Leagues under the Sea too.
Here,
Tarzan fights a giant octopus and encounters city-dwellers who wear undersea
suits and have considerable undersea technology.
I
realize I am only four episodes in at this point, but this Filmation series
seems quite superior to some of the other animated output of the company. Indeed, it approaches the level of Filmation’s
Star Trek (1973), to some degree. So far
the stories are exceptional, the animation is solid (for TV of the time), and
the adaptation from the source material is on a high level.
Next
week: “Tarzan and the Graveyard of Elephants.
No comments:
Post a Comment