Wonderbug
(1976-1978)
was never my favorite Sid and Marty Krofft live-action Saturday morning
series.
That
honor goes to Land of the Lost (1974-1977), but I would also take Dr.
Shrinker (1976), The Lost Saucer (1975), Electra
Woman and Dyna Girl (1976) and a few others over Wonderbug.
I
recently screened an episode of Wonderbug, “The Incredible Shrinking
Wonderbug” and came away with the same feeling.
The series has three generic teen leads, and a mild fantasy element: a
schleppy car that turns into a superhero car.
But the stories are dumb and the humor feels antique by today’s
standards.
For
me, it’s more than that. It’s that there’s no real dramatic hook here. In Land of the Lost, for example, the Marshalls want to
find a way home (not to mention stay alive...). In Dr. Shrinker, even,
there’s a villain to outwit, and the need to restore the Shrinkies to their
normal size.
Wonderbug is just a bunch of zany, silly
adventures, with no real rules or consistent universe. In noting that, I sure feel like a humorless
bastard, though I can tell you that I always
watched Wonderbug, even though I never really liked Wonderbug.
Wonderbug
aired as part
of The
Krofft Supershow (1976-1978) for both seasons that the omnibus aired,
and garnered such a devoted following that a great deal of merchandising was
produced for the series, including a board game (from Ideal), a lunch box, and
even a comic-book.
The
basic premise of the series is that a magic horn transforms a dilapidated old
dune buggy called Schlep Car into the shiny super-heroic vehicle,
Wonderbug. (Think: Herbie the Love
Bug).
Three
hapless American teens then travel with Wonderburg on his journeys: Barry
(David Levy), C.C. (John-Anthony Bailey) and Susan (Carole Anne Selfinger).
In
terms of special effects, Wonderbug, like Land of the Lost and Dr.
Shrinker, makes heavy use of chroma key.
In the scenes featuring a flying car, for instance, a shiny toy dune
buggy is chroma-keyed over a live-action background, and, well, it’s pretty
obviously a toy.
The
toy dune buggy (presumably remote-controlled) is also used in some scenes
wherein Wonderbug performs tricks, like rearing up on its back wheels.
In one episode, “The Incredible Shrinking Wonderbug,” Barry learns that a villainous client,
played by Gordon Jump, is stealing cars and then shrinking them down (using a
Mego Star
Trek Phaser Target gun, only slightly redesigned…).
The
gang tries to bust the auto theft ring, but Schlep Car – who has a “hood” cold
-- is shrunken down to tiny proportions too.
Now Wonderbug’s human friends must save their friend and stop the
criminals.
It’s
a weird, and horribly shticky half-hour, I must observe. Or, to put it in terms of the dialogue, “this is not your average, run-of-the-mill
turkey.”
For me, Wonderbug is one of those Saturday morning series like Big John, Little John (1976), better remembered as nostalgia than necessarily enjoyed in the present.
Yep. That about sums it up. I've got a lot of nostalgic fondness for the Krofft shows but with the exception of Land Of The Lost I can't genuinely enjoy watching them now. Actually. Land Of The Lost was the only one I really liked as a kid now that I think about it. Even back then many of the effects looked just plain bad but the writing more than made up for that.
ReplyDeleteWatching this very episode on You Tube right now. It's funny how some things aren't as good as you remember them.
ReplyDeleteSid and Marty Krofft productions went steadily downhill over the years. H.R. Pufnstuf was a really elaborate production and Land of the Lost was an attempt to bring real science fiction adventure to Saturday morning TV. But by the mid- to late-70s, however, everything looked cheap and slipshot. Wonderbug was just an attempt to cash in on the success Disney was having with Herbie at the time. I know the budgets were shrinking for Saturday morning TV during these high-inflation years, but Filmation seemed to go from success to success where Krofft stuff just got tackier and tackier.
ReplyDelete