STARDATE 5275.6
The
U.S.S. Enterprise delivers life-saving medicine to the planet Dramia, and Captain
Kirk (William Shatner) is surprised when the planet’s Supreme Prefect produces
a warrant for the arrest of Dr. Leonard McCoy (De Forest Kelley).
The
Prefect claims McCoy is under arrest for the “wanton slaughter of hundreds of people” during a plague that
ravaged Dramia 2 some nineteen years earlier.
Kirk
can do nothing to prevent McCoy’s incarceration since the warrant is legal and
binding. However, he orders the Enterprise to Dramia 2 to investigate the
doctor’s guilt or innocence. One of the
Prefect’s men comes aboard the Enterprise to demand the investigation be dropped,
but Kirk impounds his craft and classifies him as a “stowaway.”
On
ruined, abandoned Dramia 2, Kirk and Spock meet a witness, Koltai, who will
vouch for McCoy’s innocence, and he volunteers to speak at the doctor’s
trial.
On
the return trip to Dramia, however, the Enterprise passes through a mysterious aurora,
and the nineteen year old plague suddenly re-asserts itself, infecting Koltai,
Kirk, and the entire Enterprise crew save for Mr. Spock.
Now,
only Doctor McCoy -- a man still in
custody -- can save the Enterprise.
Over
the years, Star Trek has often returned to the idea of an officer on the
Enterprise being accused of a crime, an accusation that then warrants an
investigation by his dedicated friends.
On the Original
Series, Kirk was held for trial in “Court Martial,” Mr. Spock was held in “The
Menagerie” and Scotty in “Wolf in the Fold.”
In later generations, Riker faced trial in The Next Generation’s “A
Matter of Perspective” O’Brien did the same in Deep Space Nine’s “Tribunal” and Paris was
tried and punished in Voyager’s “Ex Post Facto.”
McCoy
gets his turn on trial in this Animated Series episode, “Albatross.” Despite the (over)familiarity of the premise – a
hero wrongly accused of a crime – this episode nonetheless counts as one of the
best of the cartoon canon in my estimation.
In part, this is because the episode isn’t a sequel to another episode, doesn't feature familiar villains (like Klingons or Romulans), and isn’t pitched on
a juvenile or "kiddie" level. On the contrary, the
teleplay by Dario Finelli would fit right in on the Original Series, save for
the budget-busting depiction of the Dramians, their shuttlecraft, and their plague-ridden
world. I particularly enjoyed the latter element of this story, the excursion
to the ruined planet surface, a place now abandoned and feared by citizens of the solar system.
But
I also appreciate this episode because it takes time to develop McCoy, a
character whom we know very little about.
I know that The Final Frontier (1989) isn’t a popular film with fans, but it is nonetheless one of the few franchise entries to provide any character background whatsoever on
Bones.
“Albatross” fits in the same
small category.
We know that, according
to this episode, he was on Dramia 2 nineteen years before was serving aboard
the Enterprise, and furthermore, we get to witness the essential nobility of his
character here. Bones doesn’t argue that
it is impossible that he caused a plague; he merely argues that if he is responsible, it was the
result of a terrible mistake.
Furthermore, he resists jailbreak on Dramia, so as not to make a bad
situation worse. He is, in short, a real hero.
By
focusing on McCoy and the crew’s efforts to clear his name, and by avoiding
gimmicks like giants or love potions, “Albatross” emerges as one of the most
adult and satisfying of Star Trek: The Animated Series. It’s an episode that deserves a better
reputation than it currently possesses.
The
only negative in "Albatross:" a big blooper in the final scene. In one frame set in the
transporter room, McCoy is seen to be wearing a gold tunic instead of his standard blue
one.
Next week: “How Sharper Than a Serpent’s Tooth.”
John I agree with your review. TAS “Albatross” could have been TOS episode. Like you, I am a fan of Shatner directed Star Trek V:The Final Frontier(1989). You are correct in that film and this TAS episode McCoy gets character development.
ReplyDeleteOn a humorous note, every time I see the Monty Python episode with John Cleese yelling “albatross”, I think of this episode. :)
SGB
I rediscovered this cartoon recently thanks to Netflix streaming and was about five episodes into Season One when I found John's blog.
ReplyDeleteThis was potentially a perfect vehicle to use to explore "those strange new worlds" without having to spend strange new amounts of money to depict them.
Unfortunately, most of episodes I've revisited feature some pretty quick resolutions to some awfully complicated problems, though the subject matter is usually far more mature than the standard Saturday morning fare of its time. There's no doubt that the reasons for this are the short run times and even shorter attention spans of its likely audience.
The animated worlds are simultaneously creative and shoddily drawn. This is common of everything I've seen and read about Filmation and their traits and techniques.